In this article, the author discusses how science can be integrated into the "creative curriculum". Creative approaches to curriculum design, cross-curricular studies and an increased focus on the creative arts are routes to promoting and teaching creativity. But when learning in science is based on a genuine enquiry-based approach with children…

Suggests that arts education can be used as a curriculum model for the integration of the cognitive and affective domains. Highlights include aesthetics, an interdisciplinary approach, instructional methods in art, transfer to other disciplines, and implications for instructional design. (LRW)

Author describes aesthetic education as the development of sensitivity to the aesthetic qualities of things." (MB)

Aesthetic education should be the strongest countervailing force against the superficiality of so much of people's experience. (Author)

Proposes clustering content areas of a middle school curriculum under humanities, technology, and personal study. An interdisciplinary team planning approach could eliminate the schism between academic and other subjects. (MLF)

Intended to assist in the development of humanities programs on the secondary level, this guide contains a rationale for teaching humanities, instructional objectives from the U.S. Office of Education, definitions of the concerns of the humanities, a message to teachers of the humanities, and three approaches to teaching the humanities. The three…

The new Interdisciplinary Unified Curriculum Framework (2001), as declared by its name, is based on the 1997 Unified Curriculum Framework, but a new stress is placed on interdisciplinary approaches to teaching and learning. The general aim of education remains unaltered. However, it is heavily emphasized that, in this new curriculum, the growth of…

The humanities, an area of study left out of the elementary curriculum, is essential as society becomes more global in nature. Because of the time restrictions in elementary teaching schedules, the humanities must be incorporated into the school program, not as an extra class, but as an enrichment of what is already taught. In this book, emphasis…

The research director of the University of Iowa's Bicentennial "Old Capitol" restoration project discusses restoration rationale and employment possibilities for home economists, stressing that the most important training for students is in aesthetic responsibility and historical accuracy. She reviews step-by-step the restoration work…

Advocates for a greater role for the arts in the core curriculum. Suggests that, rather than creating a curriculum that brings students to know about the arts, colleges and universities should offer an integrative approach through intelligences that can bring students to know through the arts. Contains 15 references. (CAK)

This article explores the factors which account for the weaknesses of the visual arts in the social studies curriculum. Of necessity, it therefore examines social studies teachers and their training. Finally, it suggests what can be done to make aesthetic expression an integral part of instruction in social studies. (Author/SJL)

Proposes that dance is a language with its own symbols, gestures, and aesthetics with the power to communicate complex ideas and thoughts. Outlines how discussion, analysis, and criticism can be crafted from three major elements of dance: (1) space; (2) time; and (3) energy. Asserts that students can learn to read dance as a visual text. (CFR)

Argues that art history should have a more prominent place in primary and secondary education. Suggests promoting art history by (1) ensuring that teachers are knowledgeable in the discipline; (2) studying art history through other disciplines; and (3) exposing students to real artworks, local architecture, and the significance of popular culture.…

The findings of the National Dance Association's Task Force on Children's Dance are presented through position papers on the status of dance in education. In Part 1, the purposes and projects of the task force are outlined. The chapters in Part 2 list guidelines for a comprehensive dance program and provide examples of the use of the guidelines in…

Maintains that efforts to link the arts for educational purposes have been made since the 1960s. Proposes three approaches to link visual art, dance, music and other aesthetic endeavors into one course. Concludes that, although integrating the arts is more work, the motivation for doing so rests on improved student learning. (CFR)