Experientially, this article explores issues and problems vis-à-vis the teaching and learning of dance in Nigeria. The article finds that the relegation of dance education in Nigerian higher schools of learning is linked to many factors which include: lack of manpower, lack of infrastructure and knowledge of the numerous values of dance education…

The Royal Conservatoire of Scotland has recently transformed its curriculum through a process of curriculum reform. This has been a major institutional transition and has challenged many of the traditional practices of the conservatoire. Taking the global thinking on curriculum reform as its starting point, the conservatoire’s aspiration has been…

Argues for the participation of theater programs in the development of a gay and lesbian curriculum. Predicts that gay and lesbian studies will soon take its place alongside existing cross-disciplinary programs in women's, African American, Native American, and other area studies. Presents examples of how to introduce gay studies into theater…

In arguing for an interdisciplinary higher education curriculum in the arts (IDC), this paper points out that such collaborative efforts will help students to understand more thoroughly the interrelationships and underlying unity of the arts, to articulate their training more forcefully to the general public, and to engage more actively in…

For most universities, a serious film program is still far away. One of the reasons that the sudden interest in film expressed by departments other than Speech and Theatre has not led to a solid program of film study is that these departments are sometimes teaching film for the wrong reasons. Futhermore, the professors engaged to teach these new…

Describes the development of an interdisciplinary course that used dramatic literature to illustrate psychological concepts involved in death, dying, grief, grief bereavement, suicide, and AIDS. Discusses planning for the course, course content, processes used in the course, assignments given, and student and faculty reactions to the course. (RJM)

This document is the report of a task force established to survey all arts education programs in New Jersey, develop a model curriculum with sequential instruction for grades kindergarten through grade 12, evaluate the effects of the arts experience on students, review and make recommendations to improve certification requirements for arts…

A major concern of educators in Illinois and elsewhere is that students be given the opportunity to master the basic skills of reading, communication, computation, and problem solving. It is important for school districts to recognize this concern on a local level by including in the program plan for their districts student goals which mention…

Presents an original dramatic scene written as part of the requirements of a course entitled "Death in Psychology and the Theater." The assignment, based on students' research on a topic related to the psychology of death and dying, addressed AIDS and its effects on the caregiver. (RJM)

This document presents guidelines to assist educators in the state of Wyoming to develop performance based outcome objectives for the performing and literary arts. An introductory passage argues that art can promote the development of such basic skills as communication, discipline, and analytical thinking, while also promoting the general quality…

Asserts that the arts, including art, music, dance, and theater, often are ignored or shortchanged in the school curriculum. Discusses how language education has assumed a central place in the school curriculum and whether art education can use curriculum integration to achieve the same status. (CFR)

Maintains that efforts to link the arts for educational purposes have been made since the 1960s. Proposes three approaches to link visual art, dance, music and other aesthetic endeavors into one course. Concludes that, although integrating the arts is more work, the motivation for doing so rests on improved student learning. (CFR)

Comments on remarks by A. Graham Down, president of the Council for Basic Education, about integrating arts education into the curriculum. Concludes that, when the arts are channeled into the mainstream and made part and parcel of everything, arts education becomes dangerously confused. (CFR)

Two approaches to teaching dance, drama/theatre, music, and the visual arts are interwoven into a comprehensive whole in the framework described in this document. The first approach views arts instruction as direct student involvement in the expressive modes of the arts. The second approach views the arts as a means of acquiring cultural literacy.…

Designed as a forum for the exchange of ideas on significant issues in the humanities, this annual journal presents articles written by two-year college faculty in the humanities disciplines. The 1992 issue includes the following: (1) "Broken Glass: America's Racial Nationalists Speak," by Paul J. Devendittis; (2) "Theatre on the Moving South…