One of the most distinctive musical genres that originated in Cuba over the past century is "cha-cha-chá," which is attributed to Enrique Jorrín during the 1950s. The popularity of this music has grown considerably since its genesis, as evidenced by the vast array of repertoire, the multitude of bands performing it, and its prevalence in…

Korean folk music has been rarely included in the Western music curriculum due to limited materials for music teachers to use. This article introduces "Ganggangsullae", a prominent Korean folk tradition (called a "folk play" by Koreans) that incorporates singing and dancing, and discusses its historical background and the…

The "fanga" is a dance taught throughout the United States to children in elementary music classes, students in African dance classes, teachers in multicultural workshops, and professional dancers in touring ensembles. Although the history of the fanga is a path overgrown with myth, this article offers information about the dance's…

Music teachers may be tasked with documenting ways in which broader literacy skills have been embedded in music teaching. As a result, musical goals might seem to take a secondary role in support of broader language-literacy skills. Enhancing music literacy should be the goal of well-designed integration. The suggestions here provide music…

Multicultural choral music has distinct characteristics in that indigenous folk elements are frequently incorporated into a Western European tonal system. Because of this, multicultural choral music is often taught using Western styles (e.g., "bel canto") rather than through traditional singing techniques from their cultures of origin.…

Lists the ways that children benefit from movement and dance activities and presents a lesson plan. (SJL)

Aspects of dance training can be helpful in improving performance skills on the piano. These include correct posture, breathing, and a physical sense of self. Learning to move to music, whether through formal training or on one's own, can help relaxation, concentration, and endurance. (CS)

Provides suggestions for choreographing movements for the show choir. Factors to consider include the ability level of the students and the size of the ensemble. Ideas for choreography can come from live performances, television, dance classes, publications, and the students themselves. (CS)

Music teachers can use folk dance to teach rhythm and meter. One of the richest collections of folk dances in the world comes from the Balkan region of southeastern Europe. A musical approach to folk dance is discussed, and four Balkan dances are described. (RM)

Discusses the musical program developed at the University of Redlands which features the band concert in combination with dance as a means of attracting audiences. (RK)

The author explains that, because of its complex cultural heritage, Israeli folk dance is particularly rich and its movements are an excellent way to teach rhythm and other musical concepts. Included in her article are instructions for two dances, Sapari and Mish'al, and a resources list. (SJL)

Author examines the close relationship between music and dance and life styles in different cultural traditions. (Author/RK)

Article consists of a compilation of explanations of musical compositions (two records are included with the article) of many different cultures, which have been reviewed throughout the journal. (RK)

Traces the development of music and musical instruments, and presents a musical portrait of the people of Argentina. (Author/RK)

Article describes methods of body movement therapy through music for handicapped children. (MM)