This article describes an approach to descriptive writing, via the senses, as a way to promote both being present in the moment and creating vivid and evocative writing. It is important to note that this approach focuses on writing, not mindfulness or meditation training directly. However, in doing these sensory-based exercises, students learn to…

Discusses the responsibility of the teacher to provide students with writing opportunities in which the very nature of the subject insures the qualities of vividness and unity important to good writing. (Author/GB)

Details the components of a two-part, two-week assignment in the writing of description which gives the students a chance to work on both observation and order. (JM)

Students can be taught to create vivid, colorful descriptions. To train their senses and sharpen their word choices and images, they can be asked to (1) list specific adjectives to describe such an image-producing word as "ocean," (2) substitute sharply-etched verbs for general ones in a given sentence, (3) record day-to-day observations in a…

Evaluates the use of meditation as a basis for a descriptive writing assignment in advanced composition. (MS)

A good English teacher is one who draws from his students stories that reveal the unique dignity of their personalities and the unique coloring of their experiences. The author shows how this is done, emphasizing use of student writing models as motivation, and stressing sensory diction. (Author/JB)

A variety of sensory awareness games and activities are suggested to aid students in the development of writing skills and to stimulate students' interest in writing. (JMF)

Recommends a series of sense exploration exercises to help students develop more adequate descriptive writing. (TJ)

Examines both generally and with particular attention to dance aesthetics, philosophy, and theory the implications of the divorcement of sensibility from intelligence. (Author/RK)

An activity unit for teaching students to identify and use imagery in writing is presented. Instructions to the teacher for introducing the unit are given along with a list of student objectives and definitions of imagery terms. The activities, some of which involve using locally available audiovisual media, include four introductory activities,…

CAUGHT IN THE PRESSURE FOR TEACHING MORE EXPOSITORY PROSE, THE HIGH SCHOOL ENGLISH TEACHER IS IN DANGER OF REQUIRING A KIND OF COMMUNICATION FROM STUDENTS THAT DEADENS THEIR CREATIVITY. HOWEVER, WHEN CREATIVE WRITING IS TAUGHT WELL, IT REQUIRES AS MUCH STUDENT EFFORT AND PLANNING AS DOES EXPOSITORY WRITING. THE TEACHER CAN BEST TEACH CREATIVE…

This document describes an art curriculum designed for elementary level students of Catholic schools. The curriculum aims to encourage student creativity and self expression as advocated by pre-Discipline Based Art Education (DBAE) art programs while presenting the subject matter emphasis of DBAE programs. Lesson suggestions are given for each of…

ADDRESSED TO THE JUNIOR HIGH SCHOOL STUDENT FACED WITH A POETRY-WRITING ASSIGNMENT, THIS BOOK PRESENTS THE ARGUMENT THAT "POETRY IS FOR YOU." INDIVIDUAL CHAPTERS TREAT (1) THE EXPRESSION OF SENSORY IMPRESSIONS, (2) RHYTHM, (3) THE PICTORIAL NATURE OF POETRY, (4) HUMOROUS POETRY, (5) REVISION, AND (6) VARIOUS DEFINITIONS OF POETRY. A "KINDLE KIT"…