The purpose of this study is to analyze discipline based art education and choice based art education. Discipline based art education is a teacher directed approach and choice based art education is a student centered approach. During the study I implemented these two teaching/learning approaches, collected and analyzed data, and reported the…

Teaching to meet the diverse learning needs of twenty-first century, global learners can be challenging, yet a growing body of research points to the proved successes of arts-infused and integrated curricula, especially for building capacity for learning and motivation. This article presents the ArtsIN: Arts Integration and Infusion framework, a…

While the arts in the United States are themselves often controversial, arts in public schools rarely are. That is to say that teachers, administrators, parents, students, and community members tend to agree that the opportunity to participate in the arts is beneficial to students and to the wider society. Whether discipline-based arts education…

In this graphic representation, two characters/caricatures discuss, contemplate, and fantasize the history of the field of art education, its current state, and future manifestations. The conversation is illustrated around the possible reconceptualization of art education. Through text and visual metaphors, the philosophical beliefs, theoretical…

This viewpoint proposes a model of art therapy integrated into an alternative art education program. Because of the pressure to meet educational standards, school systems may be less likely to support clinical programs that take students out of their classes. A blended model of art therapy and art education that utilizes effective strategies from…

This article is a philosophical argument that seeks to contribute to the field of art education by contributing toward and justifying a different aesthetic philosophy to support the use of visual culture in art education. Using the theoretical changes in art history and cultural theory as a backdrop, an aesthetic theory is constructed and labeled…

The National Endowment for the Humanities funded the Rembrandt Project for the purpose of developing an online teaching resource that can provide a means for accessing Rembrandt's art and his world. The Web site for the project includes numerous links that direct teachers to American museums that hold paintings, etchings, or drawings by Rembrandt…

Through the presentation of three historical accounts, this article explores the roles imagination and speculation may play within the writing and study of history. By looking at these three incidents, each drawn from the history and historiography of art education over the past 150 years, through a perspective that embraces the value of utilizing…

Compares Getty Center for Education in the Arts-affiliated and non-Getty-affiliated museums to examine if and how Discipline-Based Art Education has influenced contemporary art museum education practices. Finds that relationships between art education and museum education are more explicitly developed among Getty-affiliated art museums than…

Since Discipline-Based Art Education (DBAE) began to advocate the teaching of art based on art subjects and knowledge rather than creative self-expression, the elements and principles of design have taken a firm place in various art curricula, textbooks, and national and state Visual Arts Standards. This article intends to trace the history of…

Discusses and rejects documented criticisms of Discipline-Based Art Education (DBAE) as prescriptive, limiting, and alienating. Concludes that DBAE, while subject to adaptation in response to considered criticism, nevertheless preserves its strong subject orientation and its goal to contribute to students' appreciation of the arts in cultures and…

This program was developed and implemented to identify, inservice and coach elementary art teachers who did not have pre or post graduate discipline based art education (DBAE) training. The reason this training was important is because the district has written and adopted a kindergarten through twelfth grade DBAE art curriculum. The objectives for…

This paper describes a comprehensive model for art education for the Pacific Islands that includes the study of the content of visual art, including production, history, criticism, and aesthetics. This comprehensive research-based approach can be an effective vehicle for teaching multicultural understanding. Five recommendations are: (1) consider…

Examines three major questions about the evolution of Discipline-Based Art Education (DBAE) from 1988 to 1996: What factors affected the reformulation of DBAE in the Getty Regional Institute Grant program? What has DBAE become in Regional Institutes? and, What do findings reveal about the education process and the program evaluators? (DSK)

Like most efforts at educational reform, initial proposals for the teaching of art criticism represented a promising direction for practice rather than a fully developed educational plan. Educators during the 1950s and 1960s, who first proposed art criticism as an alternative to studio work, viewed it as a remedy for a number of problems with…