Addresses the need for educational drama to adjust to contemporary society. Examines the concept of drama as a "generic skill" and discusses the idea that drama underlies all aspects of existence, forming the basis of all learning and social interaction. Examines current research findings. (JD)

Discusses the interaction of culture and creative drama. Examines agricultural societies under three conditions: historically, from neolithic times; contemporary American Southwest Indian and Polynesian; and modern farming subcultures of European industrial societies. Asks how far agricultural life influences creative drama in agrarian societies.…

Although the situations in which and for which drama teachers are trained vary widely, six principles can be applied to virtually all drama education programs. First, drama teacher education must be based upon the contexts in which the students will be teaching. Second, drama teacher education should be based upon the interpersonal skills both of…

Examines the many possible methods used by instructors who work with dramatic action: in educational drama, drama therapy, social drama, and theater. Discusses an emergent taxonomy whereby instructors choose either spontaneous/formal, overt/covert/, or intrinsic/extrinsic methods. (JC)

Intended to contribute to the theory of drama education, this book contains a series of essays relating the human drama to education. Following an introduction, the nine essays discuss the following topics: (1) developmental drama, (2) drama and motivation, (3) drama and the transfer of learning, (4) drama and instruction, (5) drama and creativity…

American Indian education fails because schools force acceptance of a nonindigenous world view and ignore native people's perceptions of life, spirituality, art, time, mores, and learning practices. A University of Calgary experiment demonstrates that the creative arts, especially spontaneous drama, are more effective learning vehicles for native…