Every year since 2007, the Globe Theatre has run the "Playing Shakespeare" project, largely funded by Deutsche Bank. This has three main components: school-based workshops, CPD sessions for teachers and free performances for school students. From 2014 to 2016, we were commissioned to evaluate this project. In what follows, we reflect on…

This essay examines learners' understanding of how they use role. It draws upon a semi-structured interview with five Year 7 students, which took place after their first lesson exploring "Darkwood Manor," a gothic sequence of drama. Considering the elements which shape how they adopt roles in the classroom, I interrogate the students'…

In this paper, we report data from the first national survey of secondary Shakespeare teaching in the UK, conducted online in 2017-18 with a sample of 211 teachers distributed throughout Wales, England, Northern Ireland, and Scotland. In this article, we outline the pedagogical practices which are dominant. Specifically, we examine the group of…

In this paper, I reflect on a series of lectures, underpinned by the principles of critical pedagogy, when engaging with Shakespeare's "The Tempest." Working with student teachers in a South African School of Education, I used a talk-back design to enable students to talk back to the canon and open the dialogue about resistance. I used…

This article investigates the teaching of rhetoric as a discrete discipline within the curriculum of Tudor-era English grammar schools (such as the King's New Grammar School in Stratford-Upon-Avon, where William Shakespeare is believed to have been educated). It examines more recent attempts to advocate for the value of rhetoric as a unifying…

There are many references to reading, and some to writing, in Shakespeare's plays; a list is provided in an Appendix. They are analysed for what they reveal about the social status of literacy in Shakespeare's day, and the references to reading are analysed further according to oral v. silent reading, and whether characters have company on stage,…

In this essay, I draw on the experience of reading "Hamlet" with a class of 11- and 12-Year-old boys in a London comprehensive school. I explore how a number of comments in my classroom reveal the complexities of my students' thinking about gender and sexuality in "Hamlet." I look at how these thoughts are difficult for the…

Reflecting on a day of dangerous bushfire conditions in NSW, I recount my leadership responsibilities as a principal, highlighting the shaping force of my English teaching past in my response to certain managerial demands that I faced. I illustrate how the sense of ethical responsibility and a commitment to openness that came to define my…

The play within a play has long been understood as Hamlet's attempt to catch the conscience of the King. But is that all it is? Perhaps there's more to the "Murder of Gonzago" than either Hamlet or even Shakespeare, himself, intended? While the narrative of the Player King and Player Queen clearly works to tap into the private guilt of…

The article reviews the evolution of Shakespeare studies over the last 50 years and proposes a narrative to trace its development since the commemoration of Shakespeare's birth in 1964 in three phases: first, the unfolding from the 1970s to the 1990s of what I have called the postmodern paradigm in Shakespeare studies, which I argue breaks with…

This essay explores the way that the social interactions of the classroom play a role in shaping sign production. It examines the talk of one second year Advanced Level English literature class in North London during their study of John Webster's "The Duchess of Malfi" through the lens of Volosinov's theories of language. It seeks to…

Although performance-based pedagogy has clearly given new life to the study of Shakespeare, with 'performance' or 'active' approaches becoming increasingly dominant as a method, acquiring the status of "the" 'proper' way to teach Shakespeare, it is important to examine the limitations of this method. This article will begin by surveying…

This essay is about teaching Shakespeare, based on my experience of exploring "King Lear" with a Year 7 class. The evidence I use is drawn from one lesson, in which I offered students the opportunity to reject Shakespeare's version of the story. In this, I hope to demonstrate that the act of offering students a choice is a simple but…

This essay explores the role of talk within the English classroom. Classroom talk (in its various forms) is not simply a method for sharing fixed systems of knowledge or information; it is the most useful mechanism for giving learners the space to develop new meanings and new ways of thinking about their surroundings. As soon as learners are…

The account of the evolution of a classroom teacher (me) that follows is suggestive of a degree of agency and creativity that is rarely acknowledged. Teachers are currently positioned in ways that underline their instrumental role--their duty to students, parents, school and government to ensure that students achieve. A lack of faith in teachers'…