An analysis of Congreve's use of the traditional comic image of disguise in the subtle and revealing forms of artifice in this play." (Author)

Presents a list of the various texts of Williams's plays which were published prior to 1977, including plays produced but not yet published. Notes the existence of unpublished versions of printed plays when such were used for a production. (JMF)

Focuses on the traditional comic acting style that prevailed in England from 1820 to 1840 by examining the acting of the commedienne whose sixty-year career spanned the first half of the century. (MH)

A review of five New Theatre" productions dealing with mythic and biblical themes. (RY)

Discusses the paradox of plays as written literature and as dramatic performance. (CH)

Analyzes the black contribution to American theatre by citing some early black plays and the critics reactions to them. (MH)

A paper presented at All Association Luncheon of annual convention of American Educational Theatre Association (34th, Washington, D. C., August 24, 1970). (Editor/RD)

Explores a method of bridging the gap between experimental theatre work at the University of Ottawa and an audience from the community. Describes the effects of staging a play in different environments and the resulting actor-audience relationships. (MH)

A survey of teaching designer/technical directors. (CH)

Presents and analyzes the results of the annual ATA survey of plays selected for college production. (RN)

A discussion of the pedagogue's three roles: as adviser on script selection and treatment, as researcher into psychological effects of productions, and as liaison between the theatre and the child audience. (Author/SP)

An examination of the nature and scope of theater training offered in Australian universities, professional schools and workshops. (RB)