Music teachers seek imaginative openings to expand the reach and scope of the music curriculum, particularly by engaging more students in creative production and culturally relevant offerings. This article describes the work of a high school choral music educator who implemented new courses in Hip Hop Production by strategically navigating the…

Policy capacity in music education can be enhanced through understanding the policy-making process and state governmental policy. Three examples of engagement in state-level policy action are used to explore agency, negotiation, and visioning as important dispositions for advancing music education policy goals. First, influencing state-level…

Discusses the history of music education in the educational system of Norway beginning with the period just after the war and into the present. (MF)

Reports on the recent White House conference on arts education, where a major theme was educating the public--convincing it that the arts "are" basic education. (Editor/RK)

Presents a draft of the National Standards for Arts Education that is part of the America 2000 program. States that the standards are intended to specify what every child should know and be able to do in the arts. Asserts that music and aesthetic education must be an integral part of the K-12 curriculum. (CFR)

Asserts that U.S. education has entered a new era of advocacy for arts education. Describes publications and other efforts of the National Coalition for Music Education. Compares effective and ineffective advocacy methods and includes a table of contents of an "Action Kit for Music Education." (CFR)

Considers the implications of discipline-based art education (DBAE) for music education. Recounts the historical shift in art education that produced DBAE. Identifies DBAE's characteristics. Explores the influence of the Getty Center for Education in the Arts upon DBAE. Urges further discussion of incorporating DBAE ideas into music education. (CH)