The article begins by assessing Enid Blyton's contribution to the Arthurian revival of the late nineteenth and early twentieth century, setting this in the context of longstanding debates about the function of children's literature. It goes on to argue that Blyton's use of the story of Enid in "The Knights of the Round…

This thesis attempts to search for the clues related to British domestic exploitation of the peasant labors and overseas colonization of other countries after rereading the novel "Pride and Prejudice," with an aim to bring out Austen's intimacy with Imperialism. It will offer some insights into a better understanding of provincial world…

Provides a rationale for current scholarly studies of Jonathan Swift. Reviews the two distinct directions taken by modern authors writing about Swift: the traditional historical branch and the rhetorical and literary criticism branch. Considers evidence of and reasons for a revived interest in satire and anticipates areas of future study. (DMM)

Examines how eighteenth-century critics treated the visual format of traditional verse as a determinant in readers' appreciation of form and meaning. Explores correspondences between eighteenth-century work and modern criticism. Argues that twentieth-century appreciations of the visual format of verse are limited by their concentration upon more…

One of a series of works aimed at presenting contemporary critical opinion on major authors, this collection includes essays by Ronald Paulson, A. R. Humphreys, Winfield H. Rogers, Ian Watt, Maynard Mack, Mark Spilka, Aurelien Digeon, Andre Gide, Arnold Kettle, John Middleton Murry, William Empson, George Sherburn, and John S. Coolidge--all…

Presents a lesson to help students learn that Africans played a significant role in the abolition of the slave trade based on Olaudah Equiano's "The Interesting Narrative of the Life of Olaudah Equiano," which places an African writer in the center of a discussion on works published in Britain. (SR)

Two different approaches to teaching Voltaire's "Candide", one deriving meaning from the textual fabric or "inside" of the story and the other focusing on the author's "external" intent in writing the story, are presented and compared. (MSE)

A successful, elective minicourse in the literature of terror and the supernatural examined various literary works in the light of six goals: to examine the terror motif in fiction (in print and other media), to try to understand the reasons for the continued appeal of the literature of terror, to investigate why representative authors have…

Suggests a method of teaching the poetry of Alexander Pope that focuses on the satirical nature of his writing. (AEA)

Presents a method of teaching Restoration and eighteenth-century drama in which a context shaped by student characteristics and needs is built for the study of the plays and in which a single specific problem is addressed in each text to develop an understanding of the drama and the period. (DF)

Notes that many literature students have disliked studying eighteenth century literature and reflects on the positive effect New Criticism has had on the teaching of it. Compares Kramnick's and Pocock's views with those of the New Criticism. (JC)

Antebellum slave narratives can be valuable literary materials in four different kinds of literature courses. In a survey of American literature, slave narratives serve as records of the attitudes and activities of early Americans, as examples of travel literature, and as examples of late eighteenth century and early nineteenth century adventure…

One of a series of works aimed at presenting contemporary critical opinion on major authors, this collection includes essays by Victor Brombert, Martin Turnell, Erich Auerbach, Jean Prevost, Raymond Giraud, Irving Howe, Judd D. Hubert, Leon Blum, Jean Starobinski, Jean-Pierre Richard, and Simone de Beauvoir--all dealing with the biography and…

Texts from a variety of genres (letter, narrative, biography, film scenario, and dialogue) and a variety of French authors of the eighteenth, nineteenth, and twentieth centuries are provided as examples of discourse with the common theme of passion and as sources for the study of the semiotics of passion. (MSE)