Examines several pieces of writing (class assignments as well as writing done outside of school) by the author's 10-year-old daughter. Notes the different kinds of learning promoted in them, and maintains that school writing assignments should be as "real" as possible. (SR)

Distinguishes between two views of writing: "writing" as composing and making meaning; and "writing down" as encoding and using literacy tools. Defines literacy as the ability to use oral and written language for the goal of self-awareness. Describes several ways to provide students with opportunities to develop literacy. (MM)

Describes how to use children's books as the basis for writing sessions. Focuses on having children write fiction after reading and listening to historical fiction. (SR)

Argues that elementary instructors of writing should aggressively seek parental involvement in teaching children to write well. Presents a list of activities that parents can do with children to foster writing development. Lists strategies for parent-teacher communications. (HB)

Suggests that teachers attempt to have children write poetry that deals with the senses. Develops lessons to demonstrate to students their own potential for writing poetry. (MS)

Argues that teachers can help students develop writing competence by stressing social aspects of language and learning. Describes the mutual teacher-student negotiation observed in two elementary schools. Shows that student writing can improve through the creation of a community of children supportive of one another's language efforts. (SG)

Describes how an integrated unit on endangered species brings research alive for second through sixth graders. Presents lessons involving pre-writing, modeling, guided practice, independent practice, revision, and publication of student papers. (KEH)

Illustrates sequential stages of composing and discusses appropriate teaching methods for each stage. Presents the steps: (1) an initial prewriting phase including a stimulating experience, development of awareness, and expressive creation, then (2) a second teacher-guided phase, including a cooling off period of analysis, revising, proofreading…