What role can district visual art administrators play in articulating an educationally valuable conception of creativity and in establishing a culture that targets creativity as an educational goal? How can art administrators help teachers implement creativity goals? How can they communicate creativity's importance to principals, parents, and…

Discussion of why many experimental educational programs seem promising initially but disappointing when widely applied leads to detailed examination of the concept of "explanation." A proposed model for planning classroom work involves: (1) focusing students on the nature of the problem; (2) orienting pupils to a theoretical construct; and (3)…

A teaching model is a distinct set of ordered steps or phases created to achieve certain outcomes. These outcomes are different for different models, although some similarities exist among certain models, thus permitting the formation of model "clusters." These clusters or families include the information processing family, personal family, social…

Presents an art education model based on Elliot Eisner's three-domain model, emphasizing students' concept ownership and skill development. Criticizes late-modernism influenced practices, arguing creativity can be achieved only through tradition. Diagrams relationships between what art students learn in college and how they later teach. (KM)

Attempts to distinguish between the lecture method and the constructivist approach, in general, and by citing classroom scenarios. The author cautions those whose writing seems to unintentionally endorse traditional lecture and drill and practice methods. (MKR)