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Oliva, Giacomo M. – Music Educators Journal, 1982
Discusses the need for a clearly articulated, continuous music curriculum in elementary and secondary education. The author stresses the importance of teachers and administrators being willing to share information on teaching techniques as an essential part of a coordinated approach to music curricula. (AM)
Descriptors: Curriculum Development, Elementary Secondary Education, Music Education, Sequential Learning
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Cox, Dennis K. – Music Educators Journal, 1985
The Suzuki talent education method, which combines sequential learning with continual review, is described. The method can be used in developing high levels of musical awareness, technical skill, and artistry in extremely young performers from very different backgrounds. How teachers of choral music might use it is discussed. (RM)
Descriptors: Choral Music, Concept Teaching, Elementary Secondary Education, Music Education
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Kratus, John – Music Educators Journal, 1991
Discusses improvisation as a phenomenon. Offers suggestions for a learning sequence. Warns against allowing students to skip levels. Identifies developmental levels of improvisation as exploration, process-oriented, product-oriented, fluid, structural, stylistic, and personal improvisation. Urges that improvisation can and should be a meaningful…
Descriptors: Creativity, Elementary Secondary Education, Higher Education, Improvisation
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Jordan-DeCarbo, Joyce – Music Educators Journal, 1986
Edwin Gordon took the sequential levels of learning outlined by Gagne and adapted them to audiation (the ability to hear music for which the sound is not physically present) and musical learning. His method of teaching music is discussed. (RM)
Descriptors: Classroom Techniques, Educational Philosophy, Educational Practices, Educational Principles
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Yarbrough, Cornelia; Price, Harry E. – Journal of Research in Music Education, 1989
Looks at effective teaching research in order to identify a "correct" teaching sequence. Analyzes rehearsals to determine how teachers with varied levels of training and experience conformed to the optimal sequence. Finds that teachers spent too little time in correct sequences and failed to use enough positive reinforcement. (Author/LS)
Descriptors: Beginning Teachers, Classroom Research, Elementary Secondary Education, Higher Education
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Campbell, Mark Robin – Bulletin of the Council for Research in Music Education, 1991
Reviews theoretical frameworks and psychological processes underlying the perception and cognition of musical understanding. Suggests unifying ideas and processes based on a developmental learning framework applied to teaching methods and curriculum. Supplies six guidelines for music education practitioners who are sequencing learning activities…
Descriptors: Auditory Perception, Child Development, Cognitive Development, Curriculum Development
Hanson, Lincoln F. – Office of Education, US Department of Health, Education, and Welfare, 1963
This bulletin lists materials available in the fall of 1963 to assist educators in their selections of programmed instruction materials, and updates the inaugural issue, "Programs '62." Since the 1962 edition provided a number of first analyses of programmed material available, some of the present statistical data have been related to last year's…
Descriptors: Educational History, Programmed Instructional Materials, Guides, Teaching Methods