The high-variability training paradigm (multiple words, phonetic contexts, and talkers) has been successful for perceptual learning of tone contrasts. Here, it is extended to training native English listeners on Tokyo Japanese pitch-accent contrasts. Participants had no previous experience with lexically contrastive pitch patterns. They learned to…

This study tests the hypothesis that late first-language English / second-language Spanish learners (L1 English / L2 Spanish learners) acquire spirantization in stages according to the prosodic hierarchy (Zampini, 1997, 1998). In Spanish, voiced stops [b d g] surface after a pause or nasal stop, and continuants [ß? ð? ??] surface postvocalically,…

Spoken English has a stress-alternating rhythm that is not marked in its orthography. In two experiments, the authors evaluated whether stylistic alterations to print that marked stress pulses fostered the rendering of rhythm (experiment 1) and stress (experiment 2) during silent reading. In experiment 1, silent readers rated the helpfulness of…

The present study reports on the findings of a cross-sectional acoustic study of the production of Spanish vowels by three different groups of speakers: 1) native Spanish speakers; 2) native English intermediate learners of Spanish; and 3) native English advanced learners of Spanish. In particular, we examined the production of the five Spanish…

This study investigated the effect of language immersion in an English-speaking environment on the production of intonational features in L2 English sentences. It was hypothesized that the Korean group who had been immersed in the English language as children would have intonation patterns more similar to native English speakers than a nonimmersed…

It has been proposed that sensitivity to the parameters underlying speech rhythm may be important in setting up well-specified phonological representations in the mental lexicon. However, different acoustic parameters may contribute differentially to rhythm and stress in different languages. Here we contrast sensitivity to one such cue, amplitude…