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Wiener, Seth; Chan, Marjorie K. M.; Ito, Kiwako – Modern Language Journal, 2020
This study examines the putative benefits of explicit phonetic instruction, high variability phonetic training, and their effects on adult nonnative speakers' Mandarin tone productions. Monolingual first language (L1) English speakers (n = 80), intermediate second language (L2) Mandarin learners (n = 40), and L1 Mandarin speakers (n = 40) took…
Descriptors: Phonetics, English, Mandarin Chinese, Tone Languages
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Wiener, Seth; Bradley, Evan D. – Language Teaching Research, 2023
Lexical tone languages like Mandarin Chinese require listeners to discriminate among different pitch patterns. A syllable spoken with a rising pitch (e.g. "b[i-acute]" 'nose') carries a different meaning than the same syllable spoken with a falling pitch (e.g. "b[i with grave]" 'arm'). For native speakers (L1) of a non-tonal…
Descriptors: Intonation, Mandarin Chinese, Tone Languages, English
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Ling, Wenyi; Grüter, Theres – Second Language Research, 2022
Successful listening in a second language (L2) involves learning to identify the relevant acoustic-phonetic dimensions that differentiate between words in the L2, and then use these cues to access lexical representations during real-time comprehension. This is a particularly challenging goal to achieve when the relevant acoustic-phonetic…
Descriptors: Intonation, Second Language Learning, Mandarin Chinese, Word Recognition
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Li, Man; Dekeyser, Robert – Modern Language Journal, 2019
This study investigated the effects of temporal distribution of practice on the learning and retention of Mandarin tonal word production. Eighty native English-speaking adults with no prior knowledge of a tonal language participated in this study. They were randomly assigned to four experimental conditions varying in intersession interval (ISI)…
Descriptors: Mandarin Chinese, Intonation, English, Native Language
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Chen, Shirley – Journal of the Chinese Language Teachers Association, 1973
The see-saw pair is a technique for perceptually contrasting the two realizations of the third tone, viz. the low-level half third and the low dip full third. (DD)
Descriptors: Comparative Analysis, English, Intonation, Language Instruction