Suggests the concept of convention provides a basis for teaching the cross-curricular writing course. Describes an experimental freshman writing course which focused on the written discourse of five disciplines: art history, history, biology, literature, and philosophy. (RAE)

Describes how college instructors might make the move toward building community and fostering collaboration rather than working in isolation. Provides an autobiographical account of how two English teachers began such a journey. (HB)

Discusses the role of ideology in discourse theory. Suggests that an informed self-consciousness about the complex sources of thinking and writing can inspire involvement and willingness to share discursive power in the English department's conversation. (MS)

Explores contradictory purposes for writing instruction: the business world wants writers to obtain predetermined results, yet composition theorists see writing as a way to help students learn about themselves. Suggests teachers help students analyze their potential professions by focusing on the way writing invents those professions. (MS)

Argues that the antagonism which exists between rhetoricians and literary scholars derives partly from the disciplines' differing approaches to the act of writing. Suggests that literature and composition can most clearly be seen as compatible arts within the framework of the theory and history of rhetoric. (MS)