Despite its rich history in the English classroom, popular culture still does not have a strong foothold in first-year composition (FYC). Some stakeholders view popular culture as a "low-brow" topic of study (Bradbury, 2011), while others believe popular culture distracts students from learning about composition (Adler-Kassner, 2012).…

Generation 1.5 students, foreign-born children of first-generation immigrants, complete some or most of their K-12 education in the United States. Their oral communicative competence may be advanced, but their academic language proficiency may still be underdeveloped when they enter college. In 2013, SB1720 made placement testing optional for most…

If I can show my literature students how Nabokov can take them from familiar representations of experience to representations of less familiar experiences, from a knowledge of the given world to an understanding of the world of the imagination, then, it seems to me, I ought to be able find some way of showing my composition students how to do it…

This article shares the story of one student writer that shows how the challenges of writing from sources are tied to issues of voice and authority. Keith was a student in the author's first college writing class in the fall of 2002. As he undertook a transition from high school to college writer, the author was transitioning from high school to…

The first-year composition requirement at Murray State University was revised in 2008 from a 6-credit-hour, two-semester sequence to a 4-credit-hour, one-semester course. The revision overtly emphasizes critical reading, writing, and inquiry, while addressing the realities of the institution's resources for teaching first-year composition. This…

Focuses on two seemingly oppositional kinds of writing, academic discourse and personal writing, and the reasons for labeling two apparently distinct modes of writing as such. Argues that these terms are not adequate for composition teachers. Considers the value of another form of writing, public discourse, for portfolio activities. (HB)

Lists the characteristics that college instructors expect in first-year writing. Suggests ways that a writing instructor can resist such simplistic expectations. Provides five basic strategies for subverting these expectations. (HB)

For one instructor, learning that personal response, particularly emotions, had no place in the construction of a public self began in high school senior English class where students learned to never use personal pronouns in their writing. The lesson continued in college where she majored in journalism and literature under the direction of…