In this article, the author discusses composition studies by examining how incorporating "songwriting" into a first-year writing course enables students to begin expressing their own ideas/perspectives, while also developing the ability to create the concise, detailed texts associated with academic writing. The discussion offers a…

William Blake's poetry seeks to inspire readers to participate in the construction of an intellectual community that he calls "Jerusalem." This process remains ever incomplete and is, in a sense, incompletable, for the work of producing such a community involves "continually building & continually decaying"…

This article describes the ENGL 1023 Composition II course at the University of Arkansas, generally taken in the second semester of a student's first year and is taught within the context of literary studies or as a special topics section approved by the program in rhetoric and composition (PRC). The course is meant to be an introduction to…

This study explores the pedagogical approaches to internationalizing World Literature and English Composition courses at Albany State University, a small HBCU in Albany, Georgia. This attempt to internationalize the World Literature curriculum introduces, adds, and (re)positions strategically multimedia texts, such as "My Mother the Crazy…

Discusses film-oriented writing classes as a way of expanding student vocabularies and illustrating such literary devices as metaphor, irony, and imagery. Offers guidelines for writing instructors wishing to add films to a course plan, using "King Kong,""The Godfather," and "One Flew Over the Cuckoo's Nest" as examples. (DMM)

Presents and discusses a course outline for a high school playwriting course (for which English credit is earned). Offers several writing assignments and a series of sequential steps designed to help students reach the goal of writing a one-act play. (SR)

Describes a form of a writing course, generally called a LINK, that requires all students enrolled in it to coenroll in a content- or discipline-specific course. Outlines the pros and cons of such courses. Argues for the feasibility of this form of course, especially for beginning college students. (HB)

Describes a graduate course in English that brought together parts of graduate education that are too often left isolated from one another by forming a "teaching company" of graduate teaching assistants who simultaneously grappled with the same set of pedagogical and literary issues on a weekly basis. (AEA)

Describes a course in which students learn to write rich, accurate, precise, objective description, develop a sensitivity to honest, uninflated language, and demonstrate these skills by producing an action proposal. Describes the three sections of the course: objective description, lessons in language, and grand proposals. (PRA)

A proposal is provided for Triton College's team-taught course combining freshman composition and engineering. After introductory material notes that the course has been taught for 6 years at Triton by a variety of English and engineering instructors, a rationale for the course stresses the need to promote understanding of the roles of engineer…

Discusses how a high school English teacher expanded the audiences for her students' writing by developing an advanced senior writing seminar and using portfolios, peer evaluation, and parent participation. Notes that a community formed and was held together by mutual respect. (RS)

Describes a high-school course called "Autobiography" that discusses nonfiction and gender. Describes how students write their autobiographies piecemeal while reading and discussing a partly autobiographical work of fiction, and how the course eventually centers around identifying biases of different sorts in one's own and in others' writing.…

Describes the author's experiences when she added an intensive journalistic writing component to an honors English class. Details how the course can be designed to prepare students for the Advanced Placement Language and Composition Test. (MM)

Describes the author's experiences teaching two semesters of an advanced placement intensive writing class. Discusses problems encountered in the course, and notes curriculum differences between the first and second semester classes. (MM)

Reports on ways in which an undergraduate English course can be structured to invite wide-ranging forms of response. Describes how this was done through an expository reading and writing course based on rhetorical modes and noncanonical texts. Claims that student satisfaction and achievement were excellent. (HB)