This autobiographical essay explores the significance that Marxist literary theory has had for me as an English educator. Marxist literary theorists have produced increasingly refined understandings of the formal complexities of literary works, but the reach of such criticism has been limited because they have failed to conceive it as part of a…

Purpose: This paper aims to draw from work in the field of English that questions the "limits of critique" (Felski, 2015) in order to consider the limits of critical literacy approaches to literature instruction. The study focuses on the relational and affective demands that resistant reading places on readers and texts.…

In addition to being one of the authors of the Common Core State Standards (CCSS), David Coleman has become the Standards' "most visible advocate" (Smith, Appleman, & Wilhelm, 2014, p. 10) and one of their "most prominent and articulate promoters" (Rabinowitz & Bancroft, 2014, p. 4). In a talk titled "Bringing the…

Why do educators teach literature? The author thinks they can hear the answer in the voice of Huckleberry Finn and David Copperfield and Holden Caulfield and the omniscient narrator in "Beloved." It's the wonderful sound of those words, the gorgeous flow of those well-crafted sentences, and the marvelous way Twain and Dickens and Morrison and…

A dream literature class grew into an artistic and critical garden in which students' and instructor's thinking flowered.

Argues that revisionist and ecological criticism are two different activities. Describes the differences, then proposes ecological approaches for the study of literature, rhetoric, and composition. (FL)

Describes how two teachers have translated scholarship in the fields of ritual and performance studies into classroom practices (for the college literature course) that engage students in ritual enactment of imaginative literature and in communal making of meaning. (SR)

Reminds readers what a deeply problematical exercise teaching Shakespeare can be. Describes teaching "Romeo and Juliet" to a mixed ability year 10 class. Argues that Shakespeare should not be obligatory in the secondary classroom; that there is no excuse for the elitist attitudes around Shakespeare; and that Shakespeare should be treated…

Explores the tenets of both the New Criticism and reader response criticism, and concludes that there is a need for a new imperative in criticism that conceives literary understanding in terms of a communication process in which both text and reader are granted importance. (FL)

Examining how teachers help students respond to short fiction, this book presents 25 essays that look closely at "teachable" short stories by a diverse group of classic and contemporary writers. The approaches shared by the contributors move from readers' first personal connections to a story, through a growing facility with the…

Reconsiders the nature of literature as a school subject. Discusses the notion that school literature is different from reading literature outside school. Discusses three anomalies: the text and the textbook; educators' idolatry of "naive readers" whose heads are to be stuffed; and the roles of the reader and writer in school programs.…

Explains how to teach F. Scott Fitzgerald's "The Great Gatsby" in three stages: before, during, and after a close look at the text and outlines the novel's narrative structure. (HOD)

Illustrates how poems engage readers in heightened experiences of the world and of language itself. Shows some of the strategies that adults and elementary students employed when reading and responding to poems: summarizing the poem, entering in and opening out, entering the world of the poem, opening to the outside world, finding rich…

Proposes that literature can be examined to see how it works simultaneously as a constraint upon and liberating means for women. Discusses "Yellow Women" by Leslie Marmon Silko and "The Company of Wolves" by Angela Carter, exploring the role of a reader's context for understanding a story. (PM)

Discusses two approaches that engage both students and teachers as they come to share an understanding of Shakespeare's relevance to all ages. Suggests teaching Shakespeare through picture books and through music. Notes that one of the first ways to modernize Shakespeare is to allow students to interact with the work. (SG)