Every composition created by a young composer represents a step in the student's creative path. Assessment, an intrinsic aspect of teaching, fosters learning and propels students forward on their journeys to creative self-expression. Authentic feedback and assessment strategies must be grounded both in the individual musical context of each…

Assessing student performance is a central challenge for music educators. In alignment with previous research, this article asserts that rubrics provide a viable and useful structure for assessing music performance. To expand the potential of rubrics in music education, challenges to effective rubric construction are identified and addressed…

In music education, current assessment trends emphasize student reflection, tracking progress over time, and formative as well as summative measures. This view of assessment requires instrumental music educators to modernize their approaches without interfering with methods that have proven to be successful. To this end, the Longitudinal Scales…

Between 2009 and 2014, thirty-seven states in the United States have adopted or significantly amended their teacher evaluation laws, mostly shifting toward using measurements of student growth on achievement tests. Yet, the processes to evaluate core subjects have not always transitioned smoothly to nontested or artistic content, causing some…

Assessment is both essential and a potentially powerful positive force. Music teachers need to provide assessment evidence to survive in today's data-driven school environment. However, the more important reasons they must assess are to improve their professional effectiveness as teachers, to improve student learning, and to help them advocate for…

Any evaluation plan designed to evaluate arts in general education programs must reflect a reconsideration of the whole process of education evaluation. The evaluation plan proposed here has been used effectively to evaluate either arts education or music education programs. (Author/RK)

Maintains that the recent statewide trend in teacher evaluation systems may not evaluate music educators adequately. Provides four case studies on music teacher evaluation results. Shows that music teachers are below the norm on the majority of competencies. Evaluates results of the study and discusses possible reasons why music educators have low…

Based on the results of research studies to date, a few revisions in current evaluation procedures of music students could help improve procedures that are commonly acknowledged to be inefficient for selecting students for performing groups, for awards or scholarships, or for school admissions and placement. Gives five suggestions for improving…

Presents several strategies for evaluating elementary and secondary music students. Includes an objective-based system in which students earn points for attendance, participation, and performance. Examines written evaluations, and points for progress, discussing evaluation as a teaching aid. Describes a "fair grading system" which evaluates effort…

Discusses a program implemented in Wichita, Kansas, public schools to assess curricular effectiveness in music education. Expounds on the goals of the program, participants involved, problems encountered, and the eventual outcome of the evaluation. Maintains that curriculum must be organized around specific musical objectives rather than musical…

Suggests an evaluative model for assessing the quality of a music program that asks questions concerning goals and objectives, leadership of the program, staffing, curriculum and scheduling, instructional materials, and learning outcomes. Advocates the guidelines proposed by the Music Educators National Conference (MENC) in assessing what…

Advocates using portfolio assessment in music education, more as a teaching tool than a final evaluative instrument. Explains those advantages and disadvantages of portfolio assessment that are peculiar to music education. Discusses materials for inclusion. (MJP)