The Waterhouse Natural Science Art Prize is organised by the Museum of South Australia each year, with the winning works typically touring to other states. Named after the founder of the museum, it features art inspired by science. A recent visit to the finalist's exhibition of the Waterhouse prize had the author thinking about the narrowing of…

This paper reveals the journey of two settler-researcher-educators supporting learning in preparation for Carey Newman's Witness Blanket Art Exhibit. Invited to create curriculum for students and educators of K-12 who would visit the exhibit, the authors describe co-curricular making as a living, re-generative, re-cursive experience. The learning…

I am regularly asked, "What does this have to do with art education?" or "How is this art?" For instance, I like to do a project using the ongoing exhibition, do it, which is a curatorial project that started in 1993. At that time, Hans Ulrich Obrist invited 12 artists to submit a score, or set of instructions, that would then…

Dr. Joanne Cacciatore is a research professor at Arizona State University, a bereavement educator, and the founder of the MISS Foundation. Her research focuses on traumatic grief and loss. In this interview, Dr. Cacciatore offers her thoughts on grief, some misconceptions, and her notion of fierce compassion. The interviewers and Dr. Cacciatore…

The need for and impact of Object Based Learning (OBL) takes on particular relevance in institutions such as anthropology museums. Although museums in general have moved in the last several decades toward a renewed focus on their social impacts, anthropology museums in particular have needed to grapple with their own histories and the kinds of…

In the past 20 years, the number of Myanmar migrant workers in Thailand has increased tremendously. Due to several criminal incidents in which offenders were Myanmar workers shown in the news over the last decade, many Thais have developed prejudice against Myanmar migrant workers. This article contends that a museum can be a starting point in…

Stacy Boldrick is a Lecturer in Art Museum and Gallery Studies at the University of Leicester, where she conducts research in iconoclasm and its significance for social groups and institutions. She is the author of "Iconoclasm and the Museum" (Routledge, 2020). In 2013, she collaborated with Tabitha Barber to curate Art Under Attack:…

This review of the permanent exhibition of the International Red Cross and Red Crescent Museum in Geneva focuses on its representations of extreme forms of violence as well as humanitarian struggles against these. The article pays close attention to the role that theatre and performance plays in the construction of the museum as a space in which…

Author Julie Pelletier recently became part of a new committee at the Canadian Museum for Human Rights (CMHR): the Indigenous Education Working Group (IEWG). The IEWG is a working group made up of Indigenous individuals with a background in indigenous education. The first project the IEWG undertook was assisting with the development of Indigenous…

Ethnology museums are pedagogical. As educators attempting to make sense of how museums teach about the world, the authors of this article are especially interested in how ethnology museums curate otherness through objects, texts, and spaces, and how these combine to present a narrative of others. Ellsworth has referred to this as the…

The article aims at improving the quality of higher and technical education in India to world class standard. Institutions in knowledge economy are reckoned to be the drivers of development. Indian institutions are making efforts, investing money, appointing professors, students are studying hard but due to the lack of marketing strategy, their…

Stephen Vitiello is a world-renowned contemporary sound artist whom the author has known as a colleague for several years. This article presents an interview about the overall body of Vitiello's work to date, and his thoughts on teaching at Virginia Commonwealth University. The interview explores the creative and noncreative tensions between…

When entering the permanent exhibit titled "Living in America" in the Arab American National Museum (AANM) in Dearborn, Michigan, visitors are greeted with a sign that reads "Ahlan wa Sahlan." It is a greeting that translates in English to: "Your path is easier now that you are with us." The visitor, "you,"…

This essay provides a theoretical framework for thinking about the role of objects in the 21st-century museum. It explores the interrelationship between experience and objects within museums from their 19th-century origins to the present, and looks at the implications of objects as experience generators. Along the way it considers the ways in…

This essay considers the rhetoric of space in a rapidly transforming culture. Using Michel Foucault's concept of "heterotopias" to understand the rhetorical power of a building's disposition, it is argued that the Jewish Museum Berlin contains two heterotopias, one within the other. The first is Daniel Libeskind's original building…