We live in a time of increasing ideological conflict, when threats to global peace--including climate change, terrorism, cyberattacks, the proliferation of weapons of mass destruction, and poverty--increasingly impact the daily lives of many. This situation necessitates a turn to peace education, which encourages the development of values,…

I am regularly asked, "What does this have to do with art education?" or "How is this art?" For instance, I like to do a project using the ongoing exhibition, do it, which is a curatorial project that started in 1993. At that time, Hans Ulrich Obrist invited 12 artists to submit a score, or set of instructions, that would then…

In this article, a teacher-curator pedagogy is taken to mean an assumption of the role of both educators and curators in the planning, creation, and implementation of teaching units and lesson activities within the context of an online exhibition. For their part, students are engaged in developing the exhibitions and self-directed learning…

The authors explored how art centers for people with disabilities -- a form of day program -- could collaborate with art museums to create inclusive and integrated programming with artists from the broader community. Museums are in a particularly salient period of a paradigm shift, becoming more socially responsive and considering audience…

In this article, learning about Native American culture is explored, but culturally sensitive practices also have implications for shaping learning experiences about other cultures. Fortunately, there are reputable and well-thought-out curriculum resources to counter misinformation about Native Americans (Caldwell-Wood & Mitten, 1991; Denver…

The art community tends to uphold the "norms of the able bodied majority" (Penketh, 2016). For this reason, museum patrons are discouraged from handling the art. While the intent is to preserve the quality of the art is understandable, for visually impaired individuals, this is a problem. In instances when efforts have been made to…

Can a building's ornamentation grow and change? Can it inspire artists, educators, and other scholars to be creative in new ways? In this article, the authors, an instructional faculty team of two studio art professors and the fine arts librarian at Southern Illinois University Edwardsville (SIUE), describe how its collection of Louis H. Sullivan…

In the vast repository of research on family involvement in schools, researchers agree that both students and schools do better when families are involved (Epstein et al., 2009; Lareau, 2011; Mapp, 2002). There is little research, however, on parent involvement in the arts. Notwithstanding the lack of published data, programs offer funding and…

In an exhibition called One to Another, Borderland Collective created spaces for "listening, critical inquiry, and participation" and invited viewers "to contemplate their own familial migration stories within the context of larger migration narratives" (Artpace, 2018, para. 2). The interactive exhibition invited visitors to…

This article examines Washed Ashore: Art to Save the Sea, a project developed by the Artula Institute for Arts and Environmental Education of Bandon, Oregon. Using art to shed light on issues related to trash found in the ocean environment, the Washed Ashore project brings increased awareness to this growing crisis and the resulting beach litter…

Launching an ambitious cycle of educational programming can be daunting, especially when the subject of it is unavailable. With some perseverance, flexibility, and a lot of collaboration, the obstacles can be surmounted and the art can shine through. Cathy Callaway examines the Artists' Book Conference entitled "Cultural Bricolage,"…

Both curators and educators craft ways for others to enter into relationships with objects and ideas, finding personal meaning therein. As university art educators of a teacher training program, the authors invited their preservice art educators to enter into curatorial acts that call on them to unpack their own teacher identities and…

The Solomon R. Guggenheim Museum launched a project, the Guggenheim UBS MAP Global Art Initiative, with the goal of broadening the geographic representation of the Guggenheim's holdings and to create a truly global collection. Inspired by this project, this article discusses three contemporary artists: (1) Navin Rawanchaikul, from Thailand; (2)…

In 2018, a group of artists and educators known as Borderland Collective created an exhibition focusing on migration called One to Another. They incorporated various educational protocols, which they call "borderland pedagogies," to invite teens, teachers, and community members to better understand the complexities of migration through…

In this article Christine Woywod contemplates what her students' artworks would look like if she taught in a way where art was transient, not about objects, but rather experiences. As an example, she describes experiencing an exhibit including interactive works by Nathaniel Stern where she got to jump and swat at projected words that floated past…