Engaging young people with art requires pedagogical sensitivity and skill. This paper is drawn from a larger project examining artful inquiry in the gallery. It explores a particular aspect of gallery educator practice, namely talk, which is identified as conversation, discussion and dialogue. Knowing which mode of talk to use and when, in order…

At the Museum of Science and Industry, Chicago, an annual art exhibition with no ties to science content provides an opportunity to explore how juxtaposing an art gallery experience within a science museum could impact audience engagement with science thereafter. Prior evidence suggests that art gallery-based workshops have value for science…

Just as engineering and computational thinking have recently gained increased attention in pre-college school-based education, many museums and science centers have also designed exhibits and experiences to promote computational thinking and engineering learning. Recent reports suggest that computational and engineering thinking can empower each…

Informal science learning environments, such as science museums, afford a variety of interactions, sense-making processes, participation modes, and roles. Accumulating research advances our understanding of the cognitive and affective dimensions of science learning in informal environments, including the development of scientific sense-making and…

Socializing and interaction are important aspects for families who visit museums. Mixed reality (MR) uses a set of technology that museums employ to encourage this behavior, but they face challenges in maintaining family cohesion with experiences across different exhibitions and kiosks. In this paper, we explore these challenges broadly to provide…

The question of how sustainability can be incorporated into all areas of society encourages museums to rethink their approaches to society and education. In this article, we argue that museums have the potential to become key public pedagogies for sustainable development and thereby play a crucial role in encouraging participation in…

Within the field of history of education, there is a growing interest in the movement of influential actors and texts that have crossed national borders. One of the main driving forces for influence, knowledge, and innovation is comparison, a tool used within the governing of education in diverse ways and with different intensities, over time, to…

Gunther Kress's multimodal and social semiotic theory of communication has moved beyond the realm of linguistics, which originally framed his work, and has reached out to inform other fields, such as those of education, museum studies, as well as the humanities and social sciences more broadly. This article brings together our insights in relation…

This chapter explores participatory visual practices in museums.

This paper explores the British art patronage scheme "Pictures for Schools," which sold affordable works of art to educational buyers at annual exhibitions between 1947 and 1969, focusing on the work of "Pictures for Schools" founder and organiser Nan Youngman (1906-1995) as an artist, educationalist and activist. It shows…

This qualitative and exploratory study aimed to understand the experience of adolescents during visits outside the school context in science museums and centres, and how the free-choice learning processes are constructed in this context. We analyzed the visits of four adolescents groups, from public schools, to Maloka (Bogotá, Colombia), and…

For female adolescent and young adults with autism, a narrative approach to art therapy can provide a forum to highlight their voices. In multi-week art therapy group that included creating their own collections of art to display in a gallery, clients described their identities related to understanding their diagnosis and intersectional identities.

Artist Jo Dacombe remembers a school residency when she was working as an Associate Artist at Nottingham Contemporary, a large contemporary arts centre. Through the residency, she worked with a group of primary children of mixed ages to explore themes from the exhibition Rights of Nature. She describes the experience for the children, the nature…

Awareness-making (AM) describes a process by which visitors bring with them past experiences and knowledge, all of which help them make sense of museum exhibits. Meaning-making (MM) is when museum visitors' memories transform their museum experience into new knowledge and meaning. This article explores how AM elicits MM in museum visitors. We…

Purpose: This paper focuses on the donation in 1888 of a Sèvres Vase to the Education Department of Victoria after the International Exhibition in Melbourne. Using the vase as its focus the paper reflects on what this donation may be able to tell us about the impact, primarily on education, of a series of International Exhibitions held both in…