What role might storytelling play both as a component of the English curriculum and as a way of re-envisioning what we do as English teachers? The following story asks questions about storytelling in the English classroom, its fit with current theory and practice, and its role in a contemporary world. Live Bodies is a fiction. None of the…

Psychological trauma is swiftly becoming one of the most significant public health concerns and obstacles to effective education in the current teaching climate. This paper responds to my experiences as both a secondary English teacher and registered psychologist, examining the potential utility of trauma literature in the English classroom for…

This article explores findings from an investigation into the publishing experiences of Australian authors of inclusive Young Adult (YA) fiction. A total of seven authors, each publicly identifying as part of a marginalised community in Australia, were interviewed. This paper concentrates on the findings of semi-structured interviews with two…

Is digital fiction worthy of serious consideration as a literary text and does it have a place in the English classroom, particularly in light of the establishment of a stand-alone Literature subject as part of the Years 11-12 English program in the Australian Curriculum? To answer these questions this paper briefly looks at the development and…

This paper notes the ways in which conventional texts often construct limited reading positions and/or points of view. It argues that through the use of postmodern picturebooks and an understanding of metafictive strategies (as one aspect of a more complex methodological approach to the analysis of postmodern picturebooks) students are provided…

According to Peha (2016), fiction is all about character. What a character wants, how they go about getting it, and how they change throughout the trajectory of the narrative are key factors that drive a story and make it meaningful. This paper integrates strategies from both narratology (Nikolajeva, 2002; 2005; Rimmon-Kenan, 2002) and linguistics…

Maxine Greene urges us to look beyond the perspective of the system with its spotlight on data, outcomes and performance goals, and to focus instead on what she calls "the intentionality and concreteness of everyday life". "One must see", she writes, "from the point of view of the participant in the midst of what is…

Collective biography draws on memory work methods developed initially by feminist sociologists (Haug et al., 1987) where people collaboratively examined the social and discursive resources through which they take themselves up as particular gendered subjects in the world. Their own memories become resources to investigate processes of…

Focusing on subject English, this article considers the role that "creative output" in the form of narrative fiction and poetry might play in the field of educational research. Drawing on philosophical insights from Biesta, and combining these with Nussbaum's articulation of the importance of literature to education, a case is made for…

A critical/creative paradigm in contemporary English carries with it an imperative that students should be given opportunities for deep engagement with texts relevant to what matters in their everyday lives. In this paper, I argue that the materiality of everyday life includes the physical and geographic places where we live. When students live in…

Discusses the importance of the reader's response in achieving an understanding of literature. (RB)

Considers how the hypertext fiction is only the next stage in the evolution of text. Discusses sites that contain an index of current hypertext fiction favorites, reviews by readers, theory and criticism and bibliographies. Presents some suggestions on what to study when using hypertext fiction. (SG)

Explores the problem of how children react to stories read to them in the classroom and discusses the comments of a ten-year-old boy about six novels read aloud to him. (JM)

Argues that coping with the complex demands of a story not only increases readers' enjoyment of literature, but also aids in intellectual and interpretive enjoyment. (HOD)

Argues that the reader's active transformation and recreation of the text and both the content and function are best understood within the context of the personal style or identity the reader is shaping. (HOD)