This biography of Sergei M. Eisenstein records the life of this pioneering Soviet filmmaker and concentrates upon the events in Eisenstein's life which motivated him to create films in the methods he chose. A chapter is devoted to each of Eisenstein's major films. His creative techniques are explored along with his relationship with other major…

Discusses the necessity of reforming the film studies system of the former Soviet Union and describes generalities and particulars of a reformed film school. (SR)

In order to test the hypothesis that Soviet revolutionary films influenced American film makers' attitudes concerning the importance of form and structure through editing, this dissertation explores the areas of affinity and contrast between the two national cinemas during the period when Soviet silent films were originally released in the United…

Developments in the techniques of wide screen cinema and stereophonic sound throughout the world are detailed in this book. Particular attention is paid to progress in the Soviet Union in these fields. Special emphasis is placed on the Soviet view of stereophonic sound as a vital adjunct in the search for enchanced realism as opposed to the…

Discusses how the grip of the Soviet Union's past--from Stalinist mythology to ideological cliche--is being exposed and undermined whereas a sense of individual efficacy, necessary for the present, has yet to emerge from the portrayals in Soviet films. (PRA)

Recent social and political changes in the USSR have made available some 60 previously unreleased films, which were produced during the last 20 years and withheld from release by the Union of Soviet Filmmakers. In 1986, much of this group's leadership was removed leading to an atmosphere more favorable to wider distribution. Some of these films…