Creative pedagogies within youth work practice are well established. Practitioners working with young people are often called upon to utilise their own personal and professional 'toolboxes', as a way of supporting 'Creative Arts Youth Work'. However, within Higher Education (HE), creative methods for teaching and learning within the university…

As environmental awareness grows, so do questions about the environmental impact of photography, in particular traditional film development and processing, which includes the use of plastics, gelatine and other environmentally harmful chemicals notwithstanding water usage and waste. Pioneering practice and research into sustainable alternatives to…

Filmmaking education has never been firmly integrated into schooling and in past years has suffered from cuts to funding for formal and non-formal arts education and youth work. It continues to exist only by drawing on creative industry and cultural consumption practices as well as state funding. In this paper, we explore the filmmaking education…

An apprenticeship in media production in England is at the centre of this case study exploration. The context is exemplified by the organisation of the process of production around project teams and the development of project-based working cultures. Given these developments, the working conditions and learning opportunities presented to…

This article reflects on the significance of a series of encounters with a baby doll in an early years' classroom during an artist residency. The article takes an event when a small group of children encounter a baby doll as its starting point. By connecting this shared lived moment with Deleuze and Guattari's idea of machinic production and…

This paper is a theoretical and analytical account of a digital video-editing project with student teachers. The work was part of a wider study known as "Creative Teachers for Creative Learners," and investigated how creativity could be integrated within existing structures and courses of initial teacher education. The paper draws on…

Explores how students' concept formation can be promoted and outlines findings from an action research project undertaken with a class of 17-year-old AS Media Studies students as a submission for the British Film Institute's MA Certificate in Media Education in 2001. Argues that academic concepts can neither be allowed to develop spontaneously nor…

This paper presents the first phase of a study in teacher education, which explored how a conceptual framework for creativity with information and communication technology (ICT) might be developed and expressed in professional development for primary education pre-service and newly qualified teachers. The Creativity and Professional Development…