Examines the ownership and policies of the dominant firms in the Canadian film market to explain Canada's dependence on imported films. Demonstrates how the economic relations existing between Canadian and U.S. film industries limit the profitability of films made in Canada. (JMF)

Uses the practice of song dubbing in the Hollywood film musical to explore the implications and consequences of the singing voice for imaging practices in the 1930s through 1960s. Discusses the ideological, technological, and socioeconomic basis for song dubbing. Discusses gender, race, and ethnicity patterns of image-sound practices. (SR)

Discusses how the grip of the Soviet Union's past--from Stalinist mythology to ideological cliche--is being exposed and undermined whereas a sense of individual efficacy, necessary for the present, has yet to emerge from the portrayals in Soviet films. (PRA)

Reviews the legal and economic factors surrounding the film industries in the European Common Market member nations. Relates these factors to the inherent difficulties in fostering cooperation among members. (JMF)

The relationship between the television broadcast industry and the film industry in the European Economic Community is primarily characterized by the commissioning or coproducing of films by the television organization. This relationship is discussed in light of the Treaty of Rome and decisions of the European Court of Justice in Luxemburg. (JMF)

Examines how people from diverse cultural backgrounds interpret and use communication technology. Finds that the skill suggested by the concept of "media literacy" may not be strictly a result of experience and familiarity with the medium, and that at least some media-specific codes are analogs of perceptual processes. (MS)