This paper describes a curricular project in which a network of media educators, in making a case for the educational and social values of an interactive documentary, integrated it in a media degree program to encourage activism in students and promote civic engagement. The project provides valid and important results in an immediate sense, while…

Entrepreneurship education is a complex topic that can be discussed from a variety of perspectives. One key question in the discussion concerns how one can adapt the general core principles of entrepreneurship education, many of which are closely linked to business education, to other academic areas that currently lack this type of education. This…

The youth media movement, which now has a place in countless venues, communities, and scholarly discourses, reflects an evolution of practices pioneered in the 1950s and 1960s as amateur filmmaking increasingly became a reality in American families and schools. In this paper, we examine the films of Robert J. Clark, Jr. as a representative early…

Defines the concept of reflexivity as the structuring of a product in such a way that an audience assumes that the producer, the process of making, and the product are all part of a coherent whole, and contends that an audience needs to be made aware of these relationships. (MH)

Designed to encourage moviegoers to become film viewers, this book divides the various aspects of film into the following chapters: "The Most Popular Art Form,""The World of Film,""Viewing the Film: The First Level of Understanding,""The Language of Film,""From Script to Film: A case Study,""Evaluating Film: 'Does It Work?""Evaluating Film:…

This reference book contains an alphabetically arranged list of world film stars, producers, directors, and other filmmakers and an index of important films from 1898 to 1972. Each of the major entries notes brief biographical data, with dates of important events in the lives of the subjects, and the titles and dates of the films to which the…

This book is a collection of essays by the author on film criticism. An auteurist and historical approach is taken to the primarily American films discussed. The essays are organized by basic theme: "Critical Credos and Causes,""Personal Styles,""Genres,""Politics,""Odes and Obits," and "Arts and Letters." Each essay centers either on an important…

This book is a chronological history of the "newsreel" from its beginnings in 1889 to the collapse of the last newsreel production company in 1967. The newsreel is traced from its birth in the United States and France, through its flowering in the "March of Time" and other series, to its demise due to competition with televised…

This book covers the aesthetic and production aspects of the 1951 musical film, "An American in Paris," through interviews with many of the production specialists who helped make this motion picture. The film represents the genre of the color Hollywood musical. It was the winner of six Academy Awards, featured a major star and a developing star,…

This book explores the sociological implications of the type of feature films produced in Hollywood. The origins, growth, and economic structure of the film industry are studied with the methodology of social science. The sociological implications of the personal roles projected by film stars and the "world view" implicit in Hollywood…

Reports on two interviews between a historian and Ken Burns, the documentary filmmaker. Discusses the role and interrelationship of academic historians in the making of documentary historical films. Argues that academic historians have lost touch with the public and this role has fallen to amateur historians. (CFR)

This book is the text of an interview with the French film-maker, Jean Cocteau. It is the corrected edition, with a new introduction by George Amberg, of the English translation of the early 1950 conversation in French. Cocteau discusses the aesthetics, creative aspects, and production processes of his own films and films in general. His approach…

Discusses two distinct models of film production, the Pecking Order/Assembly Line Model and the Partnership Model, and contends that the differences in ideologies between the two models affect all phases of production and are reflected in the end product and in the effect of the end product on the audience. (MH)

Demonstrates how the Partnership Model can be utilized in the real world by showing how it served as a guide during the production of a film on female menopause for the College of Human Medicine. (MH)

Recounts the Floridians attempts over a seventy year period to make the state a center for filmmaking, noting that Florida currently ranks fourth in total film production expenditures. (MH)