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Mark Fusco – Phi Delta Kappan, 2025
As a high school English and film teacher in the post-quarantine world, Mark Fusco has read about "lost generations" and "learning loss." But he believes these assessments of today's students today are incomplete. What valuable skills did young people actually gain during their time away from school? Fusco has seen a surge in…
Descriptors: Films, Video Technology, COVID-19, Pandemics
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Bettina Henzler – Film Education Journal, 2023
Combining images, comparing and linking them in chains, clusters and texts is a cultural practice that was not invented with digitisation. It dates back to the nineteenth century, when the invention of photography facilitated the task of copying artworks and other cultural material, and putting them in different contexts. Later, with the invention…
Descriptors: Films, Film Production, Culture, Aesthetics
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Anjo, José Edemir da Silva; Tureta, César – Journal of Creative Behavior, 2022
The article aims to identify and analyze the roles played by the script in the creative process of independent short film production. The theoretical framework is based on distributed creativity and sociomateriality. These approaches are complementary and helped us discuss how the script can shape the creativity of the subjects involved in the…
Descriptors: Scripts, Creativity, Film Production, Teamwork
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Ryan Bramley; Jennifer Rowsell – Education 3-13, 2024
This article examines two ethnographers' fieldwork with young people applying co-production film-making methods and three ways to approach youth-led filmmaking work for researchers and educators. Implicit to our argument is a belief, based on several multimodal projects, that filmmaking consolidates literacy skills and gives young people a more…
Descriptors: Film Production, Literacy Education, Elementary Secondary Education, Films
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Jorge A. Arevalo; Jose M. Alcaraz; Keary Shandler – Journal of Management Education, 2025
Based on action learning, we propose a new use of digital story telling (DST) in sustainability in management education (SiME). Using thematic analysis (TA), we analyze a set of 63 student generated DST films on the Anthropocene to propose an experiential learning framework based on five key learning domains: the Planetary Boundaries, scale issues…
Descriptors: Experiential Learning, Creativity, Electronic Learning, Story Telling
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Hardliz, Ronny – Film Education Journal, 2023
This article poses the question 'How do we look at animals?', suggesting a link to inherent problems of documentary film-making. However, the question further suggests that there may be ways of relating to animals other than 'looking at'; other than 'observing'. Drawing from the research project De-Doc-Donkeywork: Decolonising Documentary Art…
Descriptors: Documentaries, Films, Research, Film Study
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Sezer Demir – Analytic Teaching and Philosophical Praxis, 2024
Cinema has become indispensable to the world since the Lumiere Brothers shot the first film in the history of cinema, "Arrival of a Train." While it promised a captivating experience for audiences, those in power sought ways to exploit cinema and found it relatively easy to do so. Even Hitler sought refuge in cinema during the 1936…
Descriptors: Films, Film Study, Power Structure, Self Expression
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Rob Simon; Pamela Baer; Ty Walkland – Journal of Adolescent & Adult Literacy, 2024
In this article, we revisit the co-creation of a 45-min film, "Gender is Like an Ocean," produced with middle school students in response to Kirstin Cronn-Mills's young adult novel "Beautiful Music for Ugly Children." The making of this film brought together collaborative inquiry and arts creation. Drawing on the work of…
Descriptors: Middle School Students, Sexual Identity, Film Production, Questioning Techniques
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Sean Alley; Steve Isbell – Journal of Educators Online, 2025
Course content in higher education is increasingly provided via video lectures. Video quality varies widely, from textbook publishers that provide professional quality videos to individual instructors recording videos on their laptops. In this study, we randomly assigned students to one of two videos, one high quality and one lower quality, to…
Descriptors: Video Technology, Film Production, Online Courses, Learner Engagement
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Michelle Lam – International Journal of Qualitative Studies in Education (QSE), 2024
Two years ago, I began a project based on the question, "If online platforms are providing more access for hate groups to recruit and radicalize members, then is it possible to use online platforms to combat discrimination, racism, and hatred?" Educating public audiences and promoting positive social change were laudable goals, but this…
Descriptors: Video Technology, Racism, Prevention, Social Justice
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John Potter; Michelle Cannon; Kate Cowan – Global Studies of Childhood, 2024
The Play Observatory was a COVID-19 rapid response project funded by UK Research and Innovation (UKRI) exploring children's play experiences during the pandemic through an online survey, case studies and a filmmaking workshop. With access to many of the usual spaces and places of play curtailed during the lockdowns of the pandemic, in this…
Descriptors: COVID-19, Pandemics, Play, Children
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Arruabarrena, Rosa; Sánchez, Ana; Domínguez, César; Jaime, Arturo – International Journal of Educational Technology in Higher Education, 2021
Video is a medium increasingly used in education. The styles of videos produced for academic purposes have been studied in the literature based mainly on those initially designed by instructors for use in MOOCs. In this work, we define a novel taxonomy of academic video design styles based on the videos produced by students. We have defined 10…
Descriptors: Taxonomy, Video Technology, Film Production, Design
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Camila Sarria-Sanz; Amanda Alencar; Emma Verhoeven – Learning, Media and Technology, 2024
This article critically reflects on the implementation of participatory video (PV) to explore the perspectives of 14 refugee participants regarding their place-making strategies in the Netherlands. The insights here derive from the experience of co-designing and implementing the "Digital Place-makers" program: a filmmaking course that…
Descriptors: Refugees, Video Technology, Foreign Countries, Film Production
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Sarah Jerasa; Morgan Mitchell; Rosa Dokes; Jordan Anagnostopoulos – Contemporary Issues in Technology and Teacher Education (CITE Journal), 2024
Today's teacher education programs (TEPs) are tasked with teaching essential English language arts (ELA) methods while also including the digital tools that shape reading and writing instruction in K-12 classrooms. To stay atop the swiftly moving digital pendulum, TEPs look to popular digital platforms, such as social media apps, as powerful ELA…
Descriptors: Preservice Teachers, Teacher Education, Social Media, English
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Michelle Dean; Anders Nordahl-Hansen – Autism: The International Journal of Research and Practice, 2025
There are an increasing number of autistic characters seen in film and television, and an increasing number of autistic individuals entering the workforce. At the intersection of media and employment, only a small proportion of autistic characters are played by autistic actors. This study examines the experiences of professional autistic actors…
Descriptors: Adults, Young Adults, Acting, Autism Spectrum Disorders
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