Descriptor
Film Production Specialists | 13 |
Visual Literacy | 13 |
Films | 12 |
Film Study | 11 |
Mass Media | 11 |
Audiovisual Communications | 9 |
Film Production | 9 |
Aesthetic Education | 8 |
Auteurism | 8 |
Foreign Language Films | 7 |
Repetitive Film Showings | 5 |
More ▼ |
Source
Language Arts | 1 |
Author
Kernan, Margot | 2 |
Bobker, Lee R. | 1 |
Bone, Jan | 1 |
Dickinson, Thorold | 1 |
Dillon, David A. | 1 |
Fielding, Raymond | 1 |
Fraigneau, Andre, Ed. | 1 |
Johnson, Ron | 1 |
Kerns, H. Dan | 1 |
Matthews, J. H. | 1 |
Robinson, David | 1 |
More ▼ |
Publication Type
Books | 2 |
Opinion Papers | 2 |
Journal Articles | 1 |
Reports - Descriptive | 1 |
Speeches/Meeting Papers | 1 |
Education Level
Audience
Location
Laws, Policies, & Programs
Assessments and Surveys
What Works Clearinghouse Rating
Johnson, Ron; Bone, Jan – 1976
Designed to encourage moviegoers to become film viewers, this book divides the various aspects of film into the following chapters: "The Most Popular Art Form,""The World of Film,""Viewing the Film: The First Level of Understanding,""The Language of Film,""From Script to Film: A case Study,""Evaluating Film: 'Does It Work?""Evaluating Film:…
Descriptors: Aesthetic Education, Documentaries, Film Production, Film Production Specialists
Sarris, Andrew – 1973
This book is a collection of essays by the author on film criticism. An auteurist and historical approach is taken to the primarily American films discussed. The essays are organized by basic theme: "Critical Credos and Causes,""Personal Styles,""Genres,""Politics,""Odes and Obits," and "Arts and Letters." Each essay centers either on an important…
Descriptors: Acting, Auteurism, Creative Expression, Film Criticism
Bobker, Lee R. – 1973
This book is a guide to the making of films. It covers preparation (scripting, storyboarding, budgeting, casting, and crew selection), filming (directing, camera operating, and sound recording), and postproduction (editing, sound dubbing, laboratory processing, and trial screening). Distribution of films is discussed in detail. Possible careers in…
Descriptors: Audiovisual Communications, Career Opportunities, Communications, Creative Activities
Fielding, Raymond – 1972
This book is a chronological history of the "newsreel" from its beginnings in 1889 to the collapse of the last newsreel production company in 1967. The newsreel is traced from its birth in the United States and France, through its flowering in the "March of Time" and other series, to its demise due to competition with televised…
Descriptors: Audiovisual Communications, Bulletins, Film Production, Film Production Specialists
Fraigneau, Andre, Ed. – 1972
This book is the text of an interview with the French film-maker, Jean Cocteau. It is the corrected edition, with a new introduction by George Amberg, of the English translation of the early 1950 conversation in French. Cocteau discusses the aesthetics, creative aspects, and production processes of his own films and films in general. His approach…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Creative Activities
Kerns, H. Dan – 1993
The state of the motion picture industry is reviewed, focusing on needed change in the practice of product placement. The study of the placements of advertising in films should be of interest to the student of visual literacy. Product placers are using films to advertise their products to entertainment seekers. The viewer, often a child, may not…
Descriptors: Advertising, Auteurism, Consumer Education, Consumer Protection
Kernan, Margot – 1973
This study guide for high school and college students examines selected, revolutionary political films made by Godard, Rocha, Solanas, Sanjines, and others, notably Czech and Cuban film-makers. This guide stresses an aesthetic, auteuristic approach and touches upon film production procedures. The films recommended for study range in technique from…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Colleges
Robinson, David – 1973
This survey of the history of world cinema begins with the "Pre-history" of film making and covers developments, by major periods, through 1972. The film making of all major countries, except Australia, receives attention, and the appendixes contain a note on animated films, a selected filmographies list, and a bibliography. Aspects of…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Communications
Anthology Film Archives, New York, NY. – 1973
This collection of film program notes includes mixed commentary on some of the films held in the Anthology Film Archives (a film and book library in New York City). Some of the films are described by synopsis of the episodes and others by translation into English of the foreign language subtitles. However, each film noted is identified by full…
Descriptors: Aesthetic Education, Audiovisual Communications, Film Libraries, Film Production

Dillon, David A. – Language Arts, 1982
In an interview, designer and filmmaker Saul Bass discusses the nature of creativity and the creative process and his work in the visual arts and their implications for education. (HTH)
Descriptors: Creativity, Educational Trends, Elementary Education, Film Production Specialists
Dickinson, Thorold – 1971
This brief history of the cinema surveys the birth, development, and modern period of silent and sound films. The approach seeks out major "auteurs" of film, discusses their more artistic works, and places them in historical perspective. Commentary on the aesthetic nature of film includes speculation on the relationship of sound to…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Production Specialists
Matthews, J. H. – 1971
This book is a critical, genre study of surrealist films including a general discussion of the backgrounds, influences, and overall traits of surrealism as a mode of artistic response to an absurdist world. Citing the impetus of Jacques Vache and Andre Breton as the originators of surrealism, the work expands upon the themes of fractured realism…
Descriptors: Aesthetic Education, Association (Psychology), Audiovisual Communications, Auteurism
Kernan, Margot – 1973
The leftist radical ideas current in the 1960s and 1970s are expressed in the films discussed in this cinema study guide. The radical film takes extreme and avant-garde approaches to the somewhat publicly taboo topics of sex, social issues, and religion. Among the films discussed, I AM CURIOUS (YELLOW) and SOMETHING DIFFERENT show women in their…
Descriptors: Aesthetic Education, Audiovisual Communications, Auteurism, Film Libraries