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Burns, Gary – 1982
The literature of film and literature of television are, to a large extent, two separate entities. The major film theorists have not had much to say about television, and television has inspired few theorists of its own--few, that is, whose major concern, like the film theorists', is aesthetics. One of the earliest forms of commentary on…
Descriptors: Film Study, Guides, Higher Education, Production Techniques
Burns, Gary – 1987
In opposition to popular disparaging of television as an artistic medium, television can be considered as having its own aesthetics and can be placed in the category of fine arts (as opposed to folk arts). Television art can and should be distinguished from video art and film art in the ways in which it imitates reality; program content and…
Descriptors: Aesthetic Values, Film Study, Fine Arts, Mass Media Effects
Burns, Gary – 1989
There are numerous ways to structure the introduction to film course so as to meet the needs of the different types of students who typically enroll. Assuming there is no production component in the course, the teacher is left with two major approaches to choose from--historical and aesthetic. The units in the course will typically be built around…
Descriptors: Course Descriptions, Course Objectives, Course Organization, Film Study
Burns, Gary; Thompson, Robert – 1987
Rock videos have their antecedents in film and television images, although music in films is usually background music. Television made possible the live transmission of musical numbers with visuals. The musical television commercial is an amalgam of conventions, with background music suddenly erupting into text, unheard by the characters but…
Descriptors: Aesthetic Values, Film Study, Mass Media Effects, Music