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Kepley, Vance, Jr. – Journal of Film and Video, 1990
Proposes a revisionist account of the immediate conditions and consequences of the 1919 Soviet cinema nationalization decree. Argues that nationalization was the least successful of a set of stop-gap measures; that it dispersed and diluted control; and that it actually retarded the growth of the film industry. (KEH)
Descriptors: Film Industry, Film Study, Films, Foreign Countries

Drobashenko, S.; Sadchikov, I. – Journal of Film and Video, 1992
Discusses the necessity of reforming the film studies system of the former Soviet Union and describes generalities and particulars of a reformed film school. (SR)
Descriptors: Educational Change, Film Production, Film Study, Foreign Countries

Steffen, James – Journal of Film and Video, 1996
Muses on the reasons for a "director's cut" of the 1969 Soviet film "The Color of Pomegranates," produced after the official version had initially been heavily reedited. Offers historical background on the film. States that it places unusual demands on its audiences, especially because of its density of texture and its…
Descriptors: Cultural Context, Film Criticism, Film Production Specialists, Film Study

Kepley, Vance, Jr. – Journal of Film and Video, 1996
Uses a case study of V. Pudovkin's film, "Return of Vasilii Bortnikov" (1953), to (1) address the possible influence of Hollywood-style continuity on the basic film technique of Soviet Socialist Realism; and (2) account for how the American model may have been modified as it was adapted to the Soviet situation. (PA)
Descriptors: Case Studies, Film Criticism, Film Production Specialists, Film Study
Petric, Vladimir K. – 1973
In order to test the hypothesis that Soviet revolutionary films influenced American film makers' attitudes concerning the importance of form and structure through editing, this dissertation explores the areas of affinity and contrast between the two national cinemas during the period when Soviet silent films were originally released in the United…
Descriptors: Doctoral Dissertations, Editing, Film Criticism, Film Production
Barna, Yon – 1973
This biography of Sergei M. Eisenstein records the life of this pioneering Soviet filmmaker and concentrates upon the events in Eisenstein's life which motivated him to create films in the methods he chose. A chapter is devoted to each of Eisenstein's major films. His creative techniques are explored along with his relationship with other major…
Descriptors: Artists, Bibliographies, Creative Activities, Creative Expression

Taylor, Richard – Historical Journal of Film, Radio, and Television, 1988
Assesses Sergei Eisenstein's role in cinematic history and his reputation in the Soviet Union and throughout the world. Describes the Eisenstein exhibition planned for the Oxford Museum of Modern Art and examines additional activities designed to enhance public appreciation of this influential artist. Discusses several of his important films. (GEA)
Descriptors: Art Activities, Art Appreciation, Conferences, Exhibits