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Lopez, Ana – Journal of Film and Video, 1985
Analyzes Latin American film histories, emphasizing the cinema in Argentina, Chile, Cuba, and Bolivia. (PD)
Descriptors: Film Study, Films, Historiography, Latin American History
Phipps, Steven P. – 1989
This 677-item bibliography consists of articles, periodicals, and books in English dating from 1930 to the present, on various aspects of documentary film and video. The material is organized alphabetically under each author's surname. (NKA)
Descriptors: Cultural Context, Documentaries, Film Study, Films

Smith, Greg M. – Journal of Film and Video, 1996
Explores silent film actress Norma Talmadge's "star persona" in the 1920s. Focuses on the public discourses that provide the background for Talmadge's departure from the screen. Analyzes why her two "talkies" failed commercially and critically. Concentrates on promotional and publicity materials and on the films themselves. (PA)
Descriptors: Acting, Audience Response, Ethnicity, Females

Williamson, Catherine – Journal of Film and Video, 1996
Examines how, in the film "Lady of the Lake," an experiment with the conflation of the look of the camera with that of the protagonist through extended first-person camera techniques dismantles conventional voyeuristic visual pleasure, affects the representation/fetishization of women in the film, and figures into the debate on the…
Descriptors: Audience Response, Females, Feminist Criticism, Film Criticism

Steffen, James – Journal of Film and Video, 1996
Muses on the reasons for a "director's cut" of the 1969 Soviet film "The Color of Pomegranates," produced after the official version had initially been heavily reedited. Offers historical background on the film. States that it places unusual demands on its audiences, especially because of its density of texture and its…
Descriptors: Cultural Context, Film Criticism, Film Production Specialists, Film Study
Kelly, Ernece B. – 1993
This paper describes how director Spike Lee changed Hollywood's representations of African Americans in a dramatic way. He returned to traditions of early African American filmakers like Oscar Michaux by casting all-black movies. In his first film, "She's Gotta Have It", he broke with the Hollywood tradition of using a classic beauty…
Descriptors: Blacks, Ethnic Studies, Females, Film Production
Veeder, Gerry A. – 1981
Film historians have tended to overlook the industrial film even though it has been widely used as a sales tool since early in this century. The Caterpillar Tractor Company was one of the first to adopt this medium as a means of demonstrating what its machines could do in a variety of situations. While other types of films have been made by…
Descriptors: Advertising, Film Libraries, Film Production, Film Study

Regester, Charlene – Journal of Film and Video, 1997
States that African American filmmaker Oscar Micheaux earned himself a special place in the film history of the 1920s and 1930s for his artistry and his persistence and inventiveness in negotiating financial arrangements, which enabled him to continue producing films. Gives examples of and discusses Micheaux's skill at entrepreneurship. (PA)
Descriptors: Auteurism, Black Achievement, Entrepreneurship, Film Criticism

Pena, Richard – Journal of Film and Video, 1985
Examines how movies have formed history by (1) analyzing theories of history; (2) comparing historical perspectives in certain films; and (3) exploring how film language and techniques reflect history. Focuses on films from the United States, Europe, Japan, or Brazil. (PD)
Descriptors: Course Content, Course Descriptions, Film Criticism, Film Study
Dmytryk, Edward; McRae, William, ed. – Journal of the University Film Association, 1982
An address before the University Film Association (1980) in which a filmmaker/university teacher talks about the Hollywood studio system and various aspects of film: acting, directing, editing, writing, and teaching. (PD)
Descriptors: Acting, Film Production, Film Production Specialists, Film Study
Benson, Tom – 1991
Rhetorical studies of film and television arose more or less independently at a number of universities during the 1960s and 1970s. At Cornell University (New York), the accident of a combined speech and drama department gave rise to the study of the rhetoric of film. At the same time, other theorists were approaching film rhetoric from literature.…
Descriptors: Drama, Educational History, Film Study, Higher Education
Bogle, Donald – 1992
This classic, definitive study of Black images in American movies has been completely revised and updated to include new chapters on the films of the 1970s and 1980s. This new version of the book reveals the way in which the image of Blacks in American movies has changed--and also the way in which it has remained the same. Following a preface to…
Descriptors: Black Studies, Blacks, Cultural Context, Cultural Images
Feuer, Jane – Journal of the University Film and Video Association, 1983
Provides a course description that emphasizes a structural and functional approach to the musical as genre film and as entertainment. Covers the history of the genre from 1929 to the present. (PD)
Descriptors: Course Content, Course Descriptions, Dance, Film Criticism
Cook, Pam – Screen Education, 1979
Reflects on the evolution of a British Film Institute course in avant-garde film. Discusses the historical development of the genre; production, distribution and exhibition of avant-garde film, as well as political relevance. (JMF)
Descriptors: Activism, Course Content, Curriculum Development, Film Production
National Council of Teachers of English, Urbana, IL. – 1997
This study guide offers a different approach, teleconferencing, to new information, ideas, and resources on the film, "To Kill a Mockingbird." Following general information on "then and now," the guide consists of sections entitled: Preparing to Teach TKM: Special Considerations (by Charles Suhor and Larry Bell); Historical…
Descriptors: Class Activities, Classroom Communication, Curriculum Enrichment, Film Study
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