Descriptor
| Film Study | 9 |
| Literary Criticism | 8 |
| Films | 7 |
| Film Criticism | 5 |
| Literature | 4 |
| Audiovisual Communications | 3 |
| Auteurism | 3 |
| Course Content | 2 |
| Course Descriptions | 2 |
| Higher Education | 2 |
| Novels | 2 |
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Source
| Literature/Film Quarterly | 9 |
Author
| Admussen, Richard L. | 1 |
| Anderegg, Michael A. | 1 |
| Barrett, Gerald R. | 1 |
| Eidsvik, Charles | 1 |
| Holden, David F. | 1 |
| Hutchison, Alexander | 1 |
| Laurence, Frank M. | 1 |
| Sobchack, Vivian C. | 1 |
| Willson, Robert F., Jr. | 1 |
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| Practitioners | 1 |
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Peer reviewedHutchison, Alexander – Literature/Film Quarterly, 1974
Discusses the elements of form and dissolution, the discrepancies between meaning and manner, in Visconti's film, "Death in Venice." (TO)
Descriptors: Auteurism, Film Study, Films, Literary Criticism
Peer reviewedBarrett, Gerald R. – Literature/Film Quarterly, 1974
Presents the text of an interview with Andrew Sarris discussing film criticism and critics and possible futures for the film. (TO)
Descriptors: Audiovisual Communications, Film Criticism, Film Study, Films
Peer reviewedHolden, David F. – Literature/Film Quarterly, 1974
Analyzes the three literary sources of Ingmar Bergman's film, "Through a Glass Darkly," in an attempt to account for some of the film's technical weaknesses and shed light on the film's interpretation. (TO)
Descriptors: Auteurism, Film Study, Films, Foreign Language Films
Peer reviewedSobchack, Vivian C. – Literature/Film Quarterly, 1974
Discusses cinematic allusion and examines the films of Peter Bogdanovich to illustrate some uses of the technique. (TO)
Descriptors: Auteurism, Film Study, Films, Literary Criticism
Peer reviewedLaurence, Frank M. – Literature/Film Quarterly, 1974
Discusses how the film endings of Hemingway's works differ in both content and intent from the original publications. (TO)
Descriptors: Audiovisual Communications, Fiction, Film Criticism, Film Study
Peer reviewedEidsvik, Charles – Literature/Film Quarterly, 1974
Discusses and attempts to define literature as an art comprised of more than one medium and film as a medium for more than one art. (TO)
Descriptors: Audiovisual Communications, Film Criticism, Film Study, Films
Peer reviewedWillson, Robert F., Jr. – Literature/Film Quarterly, 1974
Discusses the differences in the characterization of the hero between James Dickey's novel and screenplay, "Deliverance." (TO)
Descriptors: Film Criticism, Film Study, Films, Literary Criticism
Peer reviewedAnderegg, Michael A. – Literature/Film Quarterly, 1976
Discusses a course combining Shakespeare and film and describes in detail the film selection and adaptation for classroom use. Available from: Literature/Film Quarterly, James M. Welsh, Ed., Salisbury State College, Salisbury, MD 21801. Subscription Rates: libraries, $8.00; individuals, $6.00; students, $5.00; single copies, $2.00. (MH)
Descriptors: Classroom Techniques, Course Content, Course Descriptions, Course Objectives
Peer reviewedAdmussen, Richard L.; And Others – Literature/Film Quarterly, 1978
A course studying narrative works from eight major French novelists, and the film adaptions of these works are described. Course discussions are directed toward a deeper understanding of the novel and a comparison of the structures, techniques, and limits of the two genres. Journal availability: Literature/Film Quarterly, Salisbury State College,…
Descriptors: Course Content, Course Descriptions, Film Criticism, Film Study
