This article -- initially published in Spanish by "Toma Uno" in 2012 -- explores the Catalonian project Cinema en curs, an annual, recurring and now international programme of film education that takes place with students aged 10-18 in schools and colleges. First detailing both the rationale and methodology motivating the project, the…

There is a broad consensus on the recognition of cinema as a means of acquiring media literacy. The problematization of cinema as an artistic expression and the promotion of interdisciplinarity between the areas of communication, cinema and education and artistic education in particular that have been established in the field of communication…

Teachers of early modern theater often recognize that it is difficult for today's generation of students to approach old dramatic works as actual plays instead of written texts. Two methods for dealing with this difficulty have emerged in recent decades. On the one hand, some teachers have increasingly emphasized the value of performance…

Drawing on the expertise of colleagues in technology and filmmaking, high school teacher Joe Bucolo helps students demonstrate the critical comprehension, mastery, and creative insight that transpire from close study of Shakespeare's plays. Production Teams examine the context and language of Shakespeare's scenes, interview an expert, and address…

A program which used practical film study to extend powers of observation and comment and to help young people (ages 12 through 16) develop an understanding of contemporary society is described in this manual. The role of film in school curricula and its integration with other studies is discussed in an opening section. The next section contains a…

VISUALIZE is a course in visual language that can be used as a part of any course where communication and self-expression are among the goals--in religion, art, photography, filmmaking or social studies classes. This instructor manual gives a step-by-step approach to four two-hour seminars and three out-of-class projects. During the course…

Declares that a high school filmmaking program should not become a professional filmmaking school," but--instead--should introduce students to an awareness of the essentials of seeing." (Author/RD)

Makes a case for asking students to produce their own film version of Shakespeare's "A Midsummer Night's Dream." Explains how to manage student filming projects logistically; how to teach students about filming techniques through the study of modern movies; and how filming becomes a lesson in the interpretation of Shakespeare. (TB)

This pre-college filmmaking class represents the writing process in a setting that acknowledges multiple forms of representation for effective communication. Students were introduced to the skills used by filmmakers and encouraged to write, script, design, edit and cast their productions for a final screening five weeks after they began their…

Described is the production of a simple 30-minute super 8-mm film as a joint student-teacher effort. The film was a study of the ecology of the Santa Ana River. (RH)

Practical advice for using student-made 8mm films in English classes. (JH)

Illustrated. (RD)

The authors introduce their guide with a preface that describes the benefits to be gained by making media a part of the curriculum and suggests some of the problems of attempting such a step. They give workable suggestions for selling the idea of improving media study to colleagues, administrators, and even the community, and they lay the…

To change the classroom trend of promoting competition among children and repressing their feelings, this unit on film making focuses on a creative activity which will enable students to (1) make new things meaningful to them; (2) see purpose and meaning in familiar things; (3) observe and create beauty in life and art; (4) redefine or form their…

Despite skepticism and differing opinions within the teaching profession about the value of screen education, instructional and "experiential" films can be made effective in English classes in a variety of ways. They can be used in comparisons of the strengths of various media; in the development of units on specific topics or themes; or simply as…