Film historians have tended to overlook the industrial film even though it has been widely used as a sales tool since early in this century. The Caterpillar Tractor Company was one of the first to adopt this medium as a means of demonstrating what its machines could do in a variety of situations. While other types of films have been made by…

An address before the University Film Association (1980) in which a filmmaker/university teacher talks about the Hollywood studio system and various aspects of film: acting, directing, editing, writing, and teaching. (PD)

Sketches the nature of early theater, vaudeville, and film competition. Focuses on one tool of competitive strategy--protection by copyright. (JMF)

Discusses the film industry's conversion to color cinematography in the period between the 1920s and 1960s. Cites economic considerations, technological modifications, and aesthetic preferences by audiences as factors in this development. (JMF)

Reviews the portrayal of Blacks in a number of films. Stresses that not only were opportunities for Black actors scarce until recently, but that those Black roles that did exist were principally fashioned from Whites' misconceptions and stereotypes of Blacks. (GC)

Examines how movies have formed history by (1) analyzing theories of history; (2) comparing historical perspectives in certain films; and (3) exploring how film language and techniques reflect history. Focuses on films from the United States, Europe, Japan, or Brazil. (PD)

Analyzes Latin American film histories, emphasizing the cinema in Argentina, Chile, Cuba, and Bolivia. (PD)

Although Oscar Micheaux was not the first Black American filmmaker, he was undoubtedly the most prolific Black American movie producer. He is credited with making the first full-length, all-Black silent film produced by a Black company, as well as the first full-length, all-Black sound film. (Author/MC)

Traces the Stanislavski system for realism in acting from its origin within Moscow Art Theater, through its modification by Lee Strasberg and Elia Kazan in the Actor's Studio, to its use in modern American films. (JMF)

Provides a course description that emphasizes a structural and functional approach to the musical as genre film and as entertainment. Covers the history of the genre from 1929 to the present. (PD)

This directory of 16mm film libraries has been compiled in order to help teachers, school administrators, and community leaders locate and obtain motion pictures for use in education. It is a revision and expansion of the 1948 Office of Education publication, "A Partial List of 16mm Film Libraries," which contained 576 libraries. The directory is…

Reflects on the evolution of a British Film Institute course in avant-garde film. Discusses the historical development of the genre; production, distribution and exhibition of avant-garde film, as well as political relevance. (JMF)

This 677-item bibliography consists of articles, periodicals, and books in English dating from 1930 to the present, on various aspects of documentary film and video. The material is organized alphabetically under each author's surname. (NKA)

After presenting a chronological account of United States military documentary films from World War I through the Vietnam War, this paper reports on a study that compared the effectiveness of films prepared during World War II, the Korean War, and the Vietnam War. The first section, the chronological account, touches on such subjects as the…

Reviews trends in the collection and use of moving images in Great Britain between 1935 and 1985, concentrating on nonfiction material and the National Film Archive. Topics include collection, preservation, changing patterns of use, the impact of television, regional archives, the need for more systematic efforts, and reports and conferences.…