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Sezer Demir – Analytic Teaching and Philosophical Praxis, 2024
Cinema has become indispensable to the world since the Lumiere Brothers shot the first film in the history of cinema, "Arrival of a Train." While it promised a captivating experience for audiences, those in power sought ways to exploit cinema and found it relatively easy to do so. Even Hitler sought refuge in cinema during the 1936…
Descriptors: Films, Film Study, Power Structure, Self Expression
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Ellen E. Seiter – Educational Philosophy and Theory, 2025
Films provide many memorable scenes of care that both shape and reinforce ideas about who deserves care, how carers should behave, and what kinds of people appear 'naturally' suited to the labors of caring for children, the sick, the elderly and the disabled (namely women). My specific interest here is in films about migrant domestic workers in…
Descriptors: Films, Caring, Migrants, Child Care
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Brenda Yvonne Lopez – International Journal of Qualitative Studies in Education (QSE), 2024
This paper provides an overview of a Critical Race Feminista praxis-oriented methodological framework in development called FilmCrit, and a critical race method expanded into filmic form called Cinematic Critical Race Counterstorytelling. Critical Race Feminisita Praxis informs this work by drawing on a Critical Race Theory in Education framework…
Descriptors: Critical Race Theory, Story Telling, Films, Feminism
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Jessica Winston – CEA Forum, 2023
The purpose of this article is to provide an introductory survey of the field that might be called "mediated theatre studies"--that is, the study of recordings of theatrical performances. The survey has three parts. First, I chart broad trends in the research. Next, I review types and capabilities of some of the longer-running digital…
Descriptors: Theater Arts, Films, Film Study, Media Research
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Prokopic, Pavel – Film Education Journal, 2021
This article outlines an exploratory approach to the delivery of film practice education, as developed and tested with a second-year undergraduate module in cinematography. Students were provided with two existing creative sound pieces composed by a professional sound designer within the context of an AHRC-funded practice research project entitled…
Descriptors: Foreign Countries, Film Study, Theory Practice Relationship, Films
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Webb, Richard E.; Birky, Ian – Journal of College Student Psychotherapy, 2023
In thinking about the death and loss of a professional colleague the authors identify with the "tumult of feelings" that Simone Beauvoir notes in speaking of death. They occasion the void of understanding of this loss with a reflection on the nature of friendship. In doing so they align themselves with philosopher, Alexander Nehamas,…
Descriptors: Death, Friendship, Grief, Films
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Wirth, David C. – Physics Teacher, 2023
In the movie Gravity, American astronaut and scientist Dr. Stone (Sandra Bullock) is on a spacewalk when tragedy suddenly strikes. An ever-increasing field of debris caused by a destroyed spy satellite damages the Hubble and Space Shuttle and quickly wipes out their mission. Dr. Stone spends the rest of the movie trying to find a ride back home.
Descriptors: Physics, Scientific Concepts, Films, Mass Media Use
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Bernard Beck – Multicultural Perspectives, 2023
Two movies appeared at the same time in the summer of 2023, Oppenheimer and Barbie. Although they seem to be quite different, they were joined together in the public eye, being referred to as "Barbieheimer". They were also notable for being very popular, although neither is a typical "summer movie". Each is focused on a serious…
Descriptors: Films, Social Problems, Comparative Analysis, Political Influences
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Beck, Bernard – Multicultural Perspectives, 2022
CODA is an honored movie that combines important elements of several recent movies. The presentations of a thriving deaf community and a unique artistic community are rich and nuanced. The dilemma of a world dependent on high quality sound and a world without sound are explored and made poignant. The complexities of lives managed between separate…
Descriptors: Deafness, Films, Popular Culture, Music
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Conz, Rosely; Slaughter, Stephany – Journal of Dance Education, 2023
Wax, taffy, immigration. Removal, alien, roots, belonging. Screendance. These apparently unrelated words were the inspiration for "Uprooted," a screendance project that addresses issues of immigration through movement and metaphor. Developed with a cast and crew of college students, "Uprooted" became the nucleus for community…
Descriptors: Dance Education, Immigration, Empathy, College Students
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Standish, Paul – Journal of Philosophy of Education, 2021
The present discussion is motivated by a broad sympathy for the educational commitments that run through René Arcilla's "Wim Wenders's Road Movie Philosophy" (2020). His framing of these commitments is imaginative, as is the invitation to Wenders' films that the book provides. It is, however, with attention to the figures of the frame…
Descriptors: Educational Philosophy, Books, General Education, Films
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Delgado, Julie – International Journal for Talent Development and Creativity, 2022
Films touch our emotions, ignite our imagination and curiosity, and establish lifelong memories. They transport us to new worlds, help us recognize differing perspectives, and suggest positive change. Films engage students in social and emotional awareness and can open a portal into ways that smart young people can better understand themselves.…
Descriptors: Middle School Students, Females, Academically Gifted, Films
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Rhew, Nicholas D.; Arendt, Lucy A. – Management Teaching Review, 2023
"Kinky Boots: The Musical" is a filmed version of the London West End production that tells the story of the unlikely collaboration between Charlie Price, inheritor of a struggling family business, and Lola, a high-energy and creative drag performer, who together radically change Price & Son's focus from men's dress shoes to fetish…
Descriptors: Business Administration Education, Films, Mass Media Use, Strategic Planning
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Walker, Kelsey; Seitz, Sally – English in Texas, 2022
Austin Film Festival's Digital Storytelling Curriculum examines the art of storytelling as a critical tool for communication. Developed collaboratively with Austin Film Festival and Austin Independent School District secondary English teachers, Digital Storytelling is nine-week, English language arts screenwriting curriculum in which all students…
Descriptors: Films, Film Production, Video Technology, Story Telling
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Mistry, Jyoti – Film Education Journal, 2021
This paper considers what decolonizing film education might mean through a series of research initiatives undertaken across different cultures which explore social media platforms for creating moving image sequences. The paper attends to three factors in the current climate of education: the accessibility of the medium, its immediacy in…
Descriptors: Film Study, Social Justice, Social Media, Access to Education
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