In this article, the author talks about art-house cinema, avant-garde film, and dramatic modernism. He believes that the most important modes of film practice are art-house cinema and the avant-garde, both of which contrast with the classical Hollywood mode of film practice. While the latter is characterized by its commercial imperative, corporate…

In an interview titled "The Janus-Face of Politicized Art," Jacques Ranciere describes his methodology as follows: "I always try to think in terms of horizontal distributions, combinations between systems of possibilities, not in terms of surface and substratum. Where one searches for the hidden beneath the apparent, a position of…

In this essay the authors provide arguments that teaching is an art and that teachers can learn much about their trade from a careful study of the performances of other artists. Artists and teachers have the same basic challenge: in order to be successful, both groups have to obtain and retain peoples' attention. This also holds for popular music…

As evidenced by the strong use of musical scores in modern film, film music has come a long way since the initial silent film's piano or organ accompaniment that simply marked general emotions or moods. Though film music has retained its basic functions of reflecting emotions and moods in the images, the film score has progressed into actually…

In probing the interrelationship of myth, meaning, and education, the author offers a case in point, notably, Peter Jackson's film adaptations and Howard Shore's musical scores for J. R. R. Tolkien's "The Lord of the Rings trilogy"--"The Fellowship of the Ring," "The Two Towers," and "The Return of the King." Intersecting literature, film, and…

Questions regarding the proper role of the arts in education have occupied many thinkers throughout the ages, no less than the likes of Plato and Rousseau. Like them, several have argued that paintings, for example, are mere re-presentations of and certainly not, to borrow a term from Kant, the "thing-in-itself." From a Platonic and Rousseauian…

When audience members consider aesthetic objects and/or works of art, they typically bring to their consideration a number of perspectives through which the object is considered. These include background beliefs, personal associations, taste preferences, and attitudes and values. Using Alan Goldman's aesthetic value theory as a platform, I…

The methods by which environmental issues are aestheticized in late-twentieth-century film is directly and historically related to those established for grand manner painters by Nicholas Poussin (1594-1665) and taught at the French academy from the seventeenth through the nineteenth centuries. That these fundamentals were part of the training of…

People speculate with the fantastic. Fantasy is a celebrity and money-making machine. As a module in people's brains, it has the capacity to transform plain junk into gold that glitters. Fantasy mobilizes and instrumentalizes the fantastic to form and celebrate spectacles that exist and have always existed--illusions of social relations of…

Discussed the development of film in Italy after the World War Two and evaluated some films of that period including Bicycle Thieves. In addition, credits for Bicycle Thieves and a sequence outline were added with study questions provided for further discussion. (RK)

Article outlined Griffith's film career, provided credits and sequence outlines for the films discussed, and listed 12 study questions for classroom analysis. (RK)

Article provided a capsule version of the life of John Ford, his films, including credits and a sequence outline of Stagecoach, with study questions added for class discussion. (RK)

Orson Welles's career as filmmaker was evaluated with strong consideration of Citizen Kane, his greatest success. Included were the credits for Citizen Kane, a sequence outline and study questions for discussion in the classroom. (RK)

Discussed the films of Ingmar Bergman as well as his own character and added the credits for the Seventh Seal, a sequence outline of the film, and some study questions for group discussion. (RK)

Article discussed the films of Alfred Hitchcock and followed with the credits of North By Northwest, a sequence outline of that film with study questions interspersed within the outline. (RK)