Presents the text of an interview with Andrew Sarris discussing film criticism and critics and possible futures for the film. (TO)

Analyzes the three literary sources of Ingmar Bergman's film, "Through a Glass Darkly," in an attempt to account for some of the film's technical weaknesses and shed light on the film's interpretation. (TO)

Discusses how the film endings of Hemingway's works differ in both content and intent from the original publications. (TO)

Discusses and attempts to define literature as an art comprised of more than one medium and film as a medium for more than one art. (TO)

Discusses the differences in the characterization of the hero between James Dickey's novel and screenplay, "Deliverance." (TO)

Discusses the elements of form and dissolution, the discrepancies between meaning and manner, in Visconti's film, "Death in Venice." (TO)

Supplements the idea of the realistic spy story as reflector of modern problems with a theory of its meaning or a "metaphysics" of the genre. Available from: Thomas L. Erskine, Co-Editor; Literature/Film Quarterly, Salisbury State College, Salisbury, Maryland 21801, Subscription Rates: individuals, $6.00; students, $5.00; single copies, $2.00. (MH)

Discusses cinematic allusion and examines the films of Peter Bogdanovich to illustrate some uses of the technique. (TO)

Examines several films of Francois Truffaut. (RB)

Rejects the thesis that an uncanny matchup of literary characters with their visual doubles made "The Maltese Falcon" a success. (RB)

Analyzes several versions of "Romeo and Juliet," concluding that the films by George Cukor and Franco Zeffirelli do justice to Shakespeare's tragedy. (RB)

Analyzes Akira Kurosawa's interpretation of "Macbeth,""The Throne of Blood," finding Kurosawa's interpretation unsatisfactory. (RB)

Analyzes Roman Polanski's cinematic interpretation of Shakespear's "Macbeth" comparing imagery, brutality, and world views. (RB)

Analyzes a cinematic version of "Othello" starring Lawrence Olivier for its realistic interpretation of Shakespeare's drama. (RB)

Presents a brief history of "Cabaret" and analyzes the cinematic version for character changes which differ from the story originally written by Christopher Isherwood. (RB)