In this first of three excerpts from seminars sponsored by the Smithsonian Institution on collaborative knowledge generation in the arts, the sciences, and the humanities, two art curators and a filmmaker discuss the meaning of collaboration in their fields. Topics discussed include twentieth-century artists and art curators, Chinese art, and…

The contributions of major avant-garde innovators, e.g., Cizek, Jaques-Dalcroze, Laban, Lowenfeld, Orff, Kodaly, and Mearns, who worked to establish the creative process as an important means of human education are discussed. (RM)

Argues that the intellectual origins of the Harlem Renaissance are found at Fisk University, Nashville (TN), where black education took a less vocationally oriented path that made students feel free to explore thoughts. This liberal educational environment blossomed in New York in the expressions of the Harlem Renaissance. (SLD)

Rabindranath Tagore (1861-1941) was an Indian educator who established the Santiniketan schools, which replicated to a large extent the ashram or forest school of ancient India, where gurus and their pupils lived in a residential hermitage. Tagore's aesthetic ideals of education as manifested in the school at Santiniketan are discussed. (RM)

Between 1881 and 1889, a series of seven volumes was published by the French Government as a result of an investigation made by Marius Vachon. He visited the principal schools, museums, societies, and factories of the artistic industries throughout Europe, and his reports contain much basic information. It was felt that the translation of this…

Examines the theory that the Norman commissioned Bayeux Tapestry carries a hidden message which tells the Anglo-Saxon version of the Norman Conquest. Stresses that studies of this nature demand an interdisciplinary approach. Notes that historical and artistic influences must be considered in determining the artist's intent. (KO)

Chronicles the author's development as an artist. By ignoring external judgments and overcoming personal barriers, she was able to become closer to God, to nature, and to herself. (BJV)

Includes "Something to Cheer About" (Tuckett); "From British Institute to National Institute, 1921-71" (Hutchinson); "Pre-history of the Arts Council" (Williams); "Adult Education in the Forces" (Adam); "Crisis in Adult Education" (Stock); "The REPLAN Experience" (Uden); and…

A detailed history of United States government involvement with the arts from 1780 to 1985 is provided in chronological form. Entries range from notes documenting John Adams' and Thomas Jefferson's commitment to the arts to notes on annual budgets and allocations. Separate sections contain lists of the original members of the National Council on…

The author traces the powerful interaction between art and the people which has developed since the eighteenth century, despite admonitions from the critics that popularization of art forms leads to their decline. In particular, he considers the development of film and the public's response to it. (SJL)

Discusses the following aspects of the life and art of Harriet Powers (born 1837), a Black quilter from Georgia: (1) subject matter of quilts; (2) African continuity; (3) provenance of quilts; (4) Powers' personal history; and (5) historical context of quilts. (BJV)

Chronicles the professional and personal life of Nancy Elizabeth Prophet, a sculptor of Afro-American and Narragansett Indian descent, who achieved prominence as an artist and a socialite in both France and the United States beginning in the 1920s. (BJV)

King Carol II of Rumania, who ruled from 1930-40, is generally regarded as a failure, but one area in which he succeeded was cultural activities. He established a cultural foundation and consolidated several others which concentrated their efforts on studying and improving village life, scientific research, and publishing. (IS)

The expressionist theory of rhetoric, as presented in critical passages of selected eighteenth century texts, is examined in this essay. The introductory section of the essay discusses historical attitudes toward the relationship between grammar, logic, and rhetoric and points to the emergence and wide acceptance during the eighteenth century of…

The nature and scope of eighteenth century rhetoric were defined by three dominant taxonomies of knowledge. In the oldest taxonomy, which clung to the liberal arts tradition, rhetoric was seen as a means of achieving social dominance, and its distinctive characteristic was the exercise of control through persuasion. Treatises representing this…