There are forms identified with the field in ceramic art. Examples of these are bowls, vases, plates and teapots. As works of art, these containers can be the expression language of the artists. In particular, many ceramic bowls and teapots have entered the literature with successful examples. The fact that the teapot form is used by many artists…

In the historical process, archaeological finds of past ages are objects that show aesthetic features of that day. Although these products, which are used to sustain daily life, are not called art objects, each tool played a role at the beginning of the ages. There is no record of life to be watched again. However, by following the traces of the…

The purpose of this research is to identify the difficulties in art education at the university due to the transition from face-to-face education to distance education due to the COVID-19 outbreak. The universe of the research is the Faculty of Education Fine Arts Education Department, Conservatoire and the Faculty of Fine Arts undergraduate and…

This historical research provides an examination of the embroidered word as a visual art piece, from early traditional examples to contemporary forms. It is intended to encourage appreciation of embroidery as an art form and to stimulate discussion about the role of historical contexts in the studio education of artists at the university level.…

In this paper authoethnography was used as a process and product to explore one leader's journey from the classroom, as a student and a teacher, to opening a new school as the school's principal. These experiences create the backdrop of a larger narrative about public schooling and leadership. Traditional notions of learning, teaching, schooling…

Briefly sketches what Britain's Arts Council does and discusses the problems it faces in evaluating the arts, the challenge to its practice of democratizing the arts, and, finally, its strategy for aesthetic education. (Paper presented at the Aesthetic Education Conference, London, September 1980.) (Author/SJL)

Arguing that the visual arts serve as the focus for potential aesthetic experience in the discipline of art education, this paper describes the influence of the sensory elements of aesthetic experience in nature and other art forms on the work of three artists--Kandinsky, Van Gogh, and Picasso--and suggests that teachers can enrich students'…

Techniques and characteristics of effective management in the arts are briefly outlined. The successful arts manager is identified as an integrator, or one who takes initiative and leadership, seeks status, has social poise, and prefers more flexible ways of acting. The role of the arts administrator includes planning; selecting and coordinating…

Problems in the documentation of the history of fine arts in Japan are explored through a description of the influences of personalities and institutions in the historical study of Japanese art, a survey of the literature and documents involved, and the relationships between museum and library documentation procedures. Suggestions offered for the…

In this first of three excerpts from seminars sponsored by the Smithsonian Institution on collaborative knowledge generation in the arts, the sciences, and the humanities, two art curators and a filmmaker discuss the meaning of collaboration in their fields. Topics discussed include twentieth-century artists and art curators, Chinese art, and…

Aubrey Beardsley's involvement with the literary magazine, "The Yellow Book," is described. While there were some other literary magazines published before "The Yellow Book", its issues are distinguished because they were the first to deliberately present visual art work (and the visual artist) as equally important as…

This paper traces some of the early 20th century roots of aesthetic formalism as they came to effect the development of art education theory and practice in this country up to the beginning of the Second World War. The paper focuses on American sources and on the writings and ideas of Benman Ross, Arthur Wesley Dow, J. Hambidge, Albert C. Barnes,…

In opposition to popular disparaging of television as an artistic medium, television can be considered as having its own aesthetics and can be placed in the category of fine arts (as opposed to folk arts). Television art can and should be distinguished from video art and film art in the ways in which it imitates reality; program content and…

The author maintains that art is a social product and that, in the teaching of or about the arts, the social setting in which the arts exist must be acknowledged. She discusses British developments in the sociology of art. (Paper presented at the Aesthetic Education Conference, London, September 1980.) (Editor/SJL)

This paper examines the research literature that points to the function of aesthetics outside the domain of the arts and discusses its importance to creativity and creativity education. The featured literature focuses on problem finding, problem solving, verification, and the development of an aesthetic sense. (EH)