Federal education legislation over the past ten years has increasingly focused on high-stakes testing in the areas of science, technology, English, and math. The resultant decrease in time and funding for the arts has caused administrators to reconsider the role of the arts in education. Although a great deal of literature has been written about…

Though many studies explore arts participation at the P-12 level and attendance at the adult level, there remains little to no exploration on who attends arts events throughout college. Being an egalitarian period of life where on-campus arts programing remains either free or at a reduced cost, college may be one of the last areas to cultivate…

In a national climate of high-stakes testing, there is an ever-increasing need for policy that ensures high-quality arts education for all children. At the same time that arts education in K-12 schools is being diminished or eliminated, there is an ever-increasing body of research linking participation in the arts to various aspects of cognitive…

Since the Bush administration enacted the No Child Left Behind Act (NCLB) in 2002, lawmakers and school administrators have questioned what changes, if any, the Obama administration will make. This article discusses the effects of NCLB on nontested subjects, specifically music and arts in the general curriculum. Major effects on scheduling and…

In this article, the author discusses current challenges to the idea of teamwork in fine arts teams, redefines the terms team and collaboration using a business management perspective, discusses the success of effective teams in the business world and the characteristics of those teams, and proposes the implementation of the business model of…

In the past decade of educational reform, there has been one astounding accomplishment: The federal and state governments and the private sector have recommended and adopted policies to advance the visual and performing arts as essential to a comprehensive education. The goals created by the president and the governors of all 50 states for…

Discusses the concept of a policy window for arts education and provides historical background of the different policy windows, positive and negative, that affected arts-education reform movements since the creation of the National Endowment for the Arts. Introduces the three articles in the Symposium on the Policy Role of Education Entities. (CMK)

Reports a case study of a non profit arts advocacy group. Explores how Arts Collaborators, Inc. (ACI) advocated arts education, how they chose and developed arts education activities, and how individual and corporate beliefs about art influenced those choices. Offers recommendations about effectively evaluating and incorporating outside influences…

Asserts that testing is widely accepted and politically supported in Canada. Examines why there should be testing in the arts; what should be tested; who makes the tests, takes the tests, and benefits from them; and how frequently students should be tested. Concludes by outlining issues for consideration by policymakers. (PAL)

In this article, the author provides a review and critique of key provisions in the No Child Left Behind Act (NCLB) and documents some major effects of the law, which have not been positive for arts education and other subjects not formally tested under the law. Because NCLB is scheduled for reauthorization in 2007 or 2008, the author offers a…

Focusing on Chicago Public Schools (Illinois), explores issues related to philanthropy's role in the development of arts education policy. Discusses the relationship among philanthropic organizations and the core curriculum; the impact of research; preservice teacher training, and economic development and arts education. Offers recommendations for…

Provides comments by Samuel Hope, Janice B. Riddell, John J. Mahlmann, David Pankratz, and Constance Bumgarner Gee in response to the article in this issue of "Arts Education Policy Review" entitled "Looking at the Schools: Public Agenda Asks African-American and White Parents about Their Aspirations and Their Fears." (CMK)

States that policies are needed that can guide the teacher education programs in music education. Explores the state of music education and teacher education within the twentieth century. Believes that a coherent definition of music education with implications for teacher education is needed. (CMK)

Describes music education and its priorities as a basis for stimulating research questions and discusses advocacy research as evidence of the worth of music education research cited by arts advocates. Responds to the publication entitled "Priorities for Arts Education Research" by the Goals 2000 Arts Education Partnership. (CMK)

Provides information on the National Assessment of Educational Progress (NAEP). Evaluates the NAEP arts assessment on three different issues (fact finding, influencing instruction, and "placing product"), considering the political spin given the arts NAEP. Highlights several concerns regarding the arts literacy campaign as a vehicle for…