States that by considering necks in a literal sense it may be possible to envision new metaphors for understanding minds, bodies, and ways of knowing. Discusses necks as important signs for such ideas as beauty or fragility. Focuses on views of epistemology, such as the disembodied way of knowing. (CMK)

States that isolation of small portions of life can result in revelation, the power of metaphor occurs when connections are viewed and meaning is derived from the whole, and at times the question of meaning has been translated into a search for order. (CMK)

Focuses on Carolee Schneeman, one of many artists, dancers, and musicians who combine visual art media and methods with dance, poetry, and music. Explains that Schneeman focuses on the body as object and subject and discusses some of her performances. (CMK)

Focuses on the author's "semiotic self" by presenting questions and reflections. Discusses the overlapping groups to which one's multiple "selves" belong. Explains that these groups consist of people who share vocabulary, rituals, and understandings. (CMK)

Presents a framework for thinking about the range of potential primary orientations (creative arts, production arts, and academic arts) of teachers who believe children should be given time everyday for the arts. States that case studies of six teachers were conducted. Reveals six propositions regarding the orientations. (CMK)

Explains that didaction is an expressive action in search of internal consistency. Analyzes the didactic implications of the poetic transposition into action and the construction of a postmodern action literature through poetry. Presents the process of poetic emergence in Francophone Switzerland and Ontario. (CMK)

Introduces a collection of short papers that focus on the body, visual culture, and semiotic awareness. States that the papers ask how do we know what we know, through what filters do we understand, and what codes are used to make sense of the world? (CMK)

States that teachers must "face" themselves in order to encourage experimentation with practices that evoke embodied experiences. Discusses "facing yourself," the process of knowing who you are, who you are not, and allowing for the self-transformation that should follow. (CMK)

Focuses on three devices (plan, analysis, and context) with which one can consider electronic mail. States that the inequality in "message contexts" (social, mental, and physical) is the problem in electronic mail communication. Offers implications for using semiotics with visual culture in education. (CMK)

Describes an introductory exercise from an undergraduate class taught at the Pratt Institute (New York). Students are asked to move away from their desks to stand in the middle of the classroom. Addresses the students' reactions to moving beyond their normal space in the classroom. (CMK)