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Favorite, Malaika – Sage: A Scholarly Journal on Black Women, 1987
Chronicles the author's development as an artist. By ignoring external judgments and overcoming personal barriers, she was able to become closer to God, to nature, and to herself. (BJV)
Descriptors: Art, Art Expression, Artists, Biographies
Frye, Gladys-Marie – Sage: A Scholarly Journal on Black Women, 1987
Discusses the following aspects of the life and art of Harriet Powers (born 1837), a Black quilter from Georgia: (1) subject matter of quilts; (2) African continuity; (3) provenance of quilts; (4) Powers' personal history; and (5) historical context of quilts. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Kirschenbaum, Blossom S. – Sage: A Scholarly Journal on Black Women, 1987
Chronicles the professional and personal life of Nancy Elizabeth Prophet, a sculptor of Afro-American and Narragansett Indian descent, who achieved prominence as an artist and a socialite in both France and the United States beginning in the 1920s. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Thompson, Mildred – Sage: A Scholarly Journal on Black Women, 1987
Chronicles the life of the author, a Black woman artist, from 1974 to 1979. The essay covers her years in Tampa from 1974-77, her Artist in Residency at Howard University from 1977-78, and her preparations in 1978-79 to leave for Paris, where she would live and work until 1985. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Royster, Jacqueline Jones – Sage: A Scholarly Journal on Black Women, 1988
Chronicles the career of Faith Ringgold, a Black woman painter, sculptor, and performance artist. An extract from Ringgold's autobiographical narrative, "Being My Own Woman" is included. (BJV)
Descriptors: Art, Art Expression, Artists, Biographies
Tesfagiorgis, Frieda High – Sage: A Scholarly Journal on Black Women, 1987
Afrofemcentrism--Afro-female-centered consciousness in the visual arts--has found its ideological and aesthetic fruition in the sculpture of Elizabeth Catlett and Faith Ringgold. They depict Black women's realities and portray Black women as primary, active, and real-typed. (BJV)
Descriptors: Afrocentrism, Art, Art Expression, Art History
LaDuke, Betty – Sage: A Scholarly Journal on Black Women, 1987
Chronicles the personal and professional life of Lois Mailou Jones, a Black woman painter who blends Western and non-Western aesthetic traditions in her art. The influences of Haitian and African native traditions on her work are discussed. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Bontemps, Arna Alexander; Fonvielle-Bontemps, Jacqueline – Sage: A Scholarly Journal on Black Women, 1987
Black women artists--from the sculptor Edmonia Lewis (born 1843/5) through the late nineteenth and early twentieth century, to the Harlem Renaissance--have played a vital role in developing those forms of self-expression by which Black people in America have managed to survive centuries of racial oppression. (BJV)
Descriptors: Art, Art Expression, Art History, Artists
Sage: A Scholarly Journal on Black Women, 1987
Presents photographs and short biographical sketches of notable Black women artists past and present, including the following: Elizabeth Taylor Greenfield, Leontyne Price, Florence Price, Ann Lundy, Katherine Dunham, Pearl Primus, Michelle Paterson, Augusta Savage, Glenda Y. Hooker, Marie L. Moore, Varnette Honeywood, Meta Vaux Warrick Fuller,…
Descriptors: Art, Art Expression, Art History, Artists