The process for making a celluoid etching (drypaint technique) is feasible for the high school art room because the use of acid is avoided. The procedure outlined includes; 1) preparation of the plate, 2) inking the plate, 3) printing the plate, 4) tools necessary for the preceding. (BF)

"A photogram is an image produced on light-sensitive paper by means of objects placed between the paper and the light source. Discussed in the article are the history of photograms, materials needed, techniques for experimentation, and variations of the media. (BF)

Directions are given for the preparation, cutting, and printing of a gesso board. A gesso cut is defined as a board coated with gesso into which a design has been impressed. The process is similar to the woodcut, but offers greater textural possibilities. (BF)

The art of collage has developed from affixing scraps of paper to a flat surface into combinations and assemblages of found objects, three-demensional as well as two-demensional. The historical background of callage as well as its possibilities for printmaking and its appropriateness for teaching design are discussed. (BF)

Discussed are the exciting advantages and possibilities of using polystyrene trays found in meat packaging for printmaking. Among them are ease of use, low cost and quick availability of materials, beautiful textural effects. Procedures are explained for various age levels. (BF)