Suggests that visual signs help to define form and structure and are significant in their semantic function. Discusses a series of typographic studies that examine the relationship of designer, text and interpreter in the dialectical process of communication in which meaning is rendered and made explicit. (RS)

Proposes a new taxonomy for classifying the graphic cues commonly used in visually informative text. Subsumes spatial and mark cueing (lines such as dividers, guidelines, network links, and visual tags) under a new concept called diagraphic cueing. Surveys various forms of graphic cues. (RS)

Describes a studio project designed to help students (1) utilize the digital environment to organize typography and images that represent the socio-political context their solutions were required to identify; and (2) explore the empirical variables that help readers to access and contemplate the content presented by their text. (PA)

Examines the impact on proofreading accuracy of setting text in monospaced typewriter faces and proportionally spaced typefaces. Finds no significant differences. Notes that proofreading suffered when an irregularly spaced typeface was used. Suggests that text may be checked more thoroughly if its format suggests provisionality. (RS)

Discusses the types of problems that arise when text is presented in electronic form: (1) surface design, which involves typography, layout, graphics and illustrations, and the quality of language; and (2) interface design, which is manifested on the levels of immediate surface of the text, internal structure, and external structure. (SKC)

Hypothesizes that typographic cues structured according to a defined set of common attributes within textbooks enable readers to discriminate between various levels of information and to make generalizations about the information contained in each level. Proposes a method of identifying and ranking categories of information. (KEH)