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Goude, Gunnar; Derefeldt, Gunilla – Studies in Art Education, 1981
The authors examined use of a bipolar scale containing ten descriptors of basic art concepts (e.g. "linear-painterly") identified by Heinrich Wolfflin for analyzing paintings. They found that both trained observers (art history students) and untrained observers (psychology students) could apply Wolfflin's concepts reliably to Renaissance…
Descriptors: Art History, Classification, College Students, Design
Bracey, Ted – 1999
This paper contends that the conventional ways in which art is accounted for exclude all but the interests of the dominant social group and effectively defeat many of the initiatives that have been taken in the field over the last three decades to account for the values, aspirations, and beliefs of minority groups. The paper attempts to show how…
Descriptors: Art Education, Biculturalism, Classification, Cultural Context
Hartley, Jeffrey; Homa, Donald – Journal of Experimental Psychology: Human Learning and Memory, 1981
Acquisition of style recognition was studied in a category abstraction paradigm. Subjects classified impressionist paintings, according to artist, and were tested for immediate or delayed transfer. Experience with examples of a style yielded greater classification accuracy for new examples. Conceptual structure was correlated with transfer…
Descriptors: Classification, Higher Education, Learning Experience, Multidimensional Scaling
Nemethy, Judith – 1981
A study was conducted to develop a retrieval system for slides in the History of Art Collection at Cornell University to make it more consistent and easier for patrons from other academic disciplines to use than the system currently in use. To determine whether slide library systems at other institutions could be adapted to the History of Art…
Descriptors: Academic Libraries, Art History, Cataloging, Classification