In Higher Education (HE), writers need to regulate their writing processes in order to achieve their communicative goals. Although critical for academic success and knowledge construction, writing regulation processes have been mainly researched in compulsory education rather than in HE, with no systematic review focused on this context. The…

Although keystroke logging promises to provide a valuable tool for writing research, it can often be difficult to relate logs to underlying processes. This article describes the procedures and measures that the authors developed to analyze a sample of 80 keystroke logs, with a view to achieving a better alignment between keystroke-logging measures…

The author integrates work from cognitive and developmental psychology with studies in writing in order to explain why the quality of student writing sometimes appears to regress to earlier or less proficient levels. Insights from this combined analysis are applied to explain how and why to use specific Writing Across the Curriculum strategies to…

Online education continues to permeate mainstream teaching techniques in higher education settings. Teaching upper-level classes in an online setting is having a major impact on education as a whole and is fundamentally altering global learning. "Cases on Critical and Qualitative Perspectives in Online Higher Education" offers a…

Despite the fact that social constructivism is accepted as the guiding theory in Composition, that this theory is the field's theoretical center of gravity, it does not account for, nor explain, the entire writing process. Two major challenges to social constructivism must also be considered in theoretical discussions: (1) the cognitive dimension…

An important aspect of the composing process is the element of organization--the coherent development of ideas and considerations of relevance. Most investigations of this aspect have focused on prewriting behavior or on "heuristics,""frames," or other approaches that presuppose that organization is something imposed from the…

Argues that, in understanding creativity and the process of composing, it is helpful to think in terms of the metaphysical concept and while polar opposites appear to be contradictory, they are part of the same whole. Suggests some polarities that help in understanding the creative process in writing. (TJ)

Explores the alternating mental perspectives that writers assume during the composing process, from inner experience to outer judgment and back to experience. (HTH)

Writing is not the result of thinking but rather a way of thinking, and it is distinct from editing, which involves making one's writing conform to agreed upon rules. (DD)

Argues that the view of writing as a social activity fails to account for individual cognition. Suggests that subjectivity results from a dialectical interplay between consciousness and ideological forces. Calls for further investigation of how context guides cognition and what role cognition plays in the social negotiation of knowledge. (SG)

Responds to Susan McLeod's "The Affective Domain and the Writing Process: Working Definitions." Suggests and defends an alternate way to define affect, based on the interweaving of affect and cognition. Discusses the "cognitive-affective dance." (PRA)

Flower defends her book "Problem-Solving Strategies for Writing," stating that contrary to Petrosky's interpretation, it does not take an out-moded, logical positivist view of communication theory that treats thought as an object to be transferred while ignoring the constructivist nature of both reading and writing. (HTH)

Argues that, like making stew, there is more than one sequential writing process, and that while one cannot discern the process by examining the product, the product (or purpose) cannot help but shape the processes. (HTH)

Presents and discusses research on the intellectual processes that writers engage in to attain what is commonly called "audience awareness." (RL)

Examines the evidence for both the linguistic and rhetorical hypotheses about writers' planning and presents new research on episodic patterns within the writing process itself. Uses protocol analysis to look at the content and nature of writers' plans. (HOD)