Constructions of teaching, learning, and the university within popular culture can exert an important influence on public understandings of higher education, including those held by faculty and students. As such, they constitute a rich site of inquiry for the scholarship of teaching and learning. Drawing on the notion of film as 'public pedagogy,'…

Arguing against the privatization of the humanities, the author describes a project conducted by the Public Program Division of the National Endowment for the Humanities designed to give academic humanists opportunity to meet with people in small towns. The audience participation programs focus on contemporary issues from the perspective of the…

A film/discussion series that brought the sociological imagination before sizable audiences of adult community residents is described, evaluated, and justified. The format of the series is recommended for sociology departments that wish to strengthen their ties to the humanities. Two of the films used in the project are discussed. (Author)

Designed for the instructor in the humanities, this article presents a methodology for the teaching of any film using Walter Colmes's film "The Women Who Came Back" to demonstrate the method. The cinematic code and the response which this code elicits from the viewer are discussed. Specific shots and sequences are cited as examples of…

Bound in a slipcover rather than in signatures, this "book" is made up of thirteen separately bound booklets. The first booklet is an introduction to the use of film in the classroom both in teaching the filmic art and in increasing the visual literacy of students on the high school and early college levels. The twelve other booklets each treat a…

Reveals that through the use of the movie "Groundhog Day," students in humanities courses can grasp Friedrich Nietzsche's myth of eternal recurrence; the myth addresses the question of what if everything that occurred in one's life occurred again just as it happened before. Discusses the similarities between Nietzsche's myth and the…

Points out that movies from the 1930's, 1940's, and 1950's are excellent resource materials for the history and social science classroom. Suggests some ways particular films can be used to study mainstream, white, middle-class attitudes toward various issues and groups. (RKM)

To stimulate interest in death and grief responses, medical school faculty and students at the University of California, San Diego, were invited to a program of music, film, and commentary dealing with that theme. A global evaluation of the event was positive. (JMD)

Yale University Films' mission to make scholarly ideas more accessible to the general public is about to be realized when they broadcast a film on James Boswell to a national television audience. The movie is based on the journals of the eighteenth century Scottish diarist and biographer of Samuel Johnson. (MLW)

Describes a freshman liberal arts honors course on adult development and aging. Contains suggestions for selecting and using readings, films, music, and television shows. Provides examples of how to make connections between these materials and the scientific literature. (DSK)

Describes a program dealing with films depicting the French Revolution sponsored by the University of California Los Angeles. Emphasizes lectures and a colloquium discussing the ways in which films can transform common political ideas of the moment into popular memory of the past. Examines several films included in this national film…