As students are asked to complete multimodal assignments in their higher education courses, librarians can guide students to the use of open educational resources (OER), as many librarians are already teaching students about copyright and how to respect intellectual property rights. Two instructional librarians designed a one-shot lesson for…

Writing studies' "recent enthusiasm" (Roderick "CF 25") for complexity theory has morphed into higher education's rabid embrace of reform. New curricula claim commitment to an "advanced," "networked," and "global" culture by erasing introductory composition, thereby dismissing the…

The purpose of this project was to explore and document one approach for integrating social media--Facebook, really--into freshman writing. The assignment using Facebook was first given in 2006 and twice more through 2009. Our report on the project takes the form of a network; the content is distributed across the wall, info, and notes sections of…

The College Writing/Elon Academy summer partnership at Elon University offers a program model for supporting underrepresented students' transition to college. While the modified section of a required first-year writing course has some limitations, the summer course supports students' development of more complex writing processes and provides…

Amy Lynch-Biniek begins by introducing popular yet controversial concepts presented in the Gerald Graff and Cathy Birkenstein's "They Say / I Say: The Moves That Matter in Academic Writing" (NY: Norton & Company, 2006). As stated in the book's introduction, the goal of Graff and Birkenstein's text is "to demystify academic…

English 1311: Expository English Composition is the first semester course in a two-semester first-year composition (FYC) sequence. Both ENG 1311 and its second-semester counterpart, ENG 1312, are required for all students unless they have transfer credit covering this requirement or place out of one or both of the courses via the College-Level…

The first reading assignment one educator gives his first-year composition students helps answer their questions about what college work will be like. For this reason, he gives them Neil Postman's "Amusing Ourselves to Death" to read, a book which shows that the late 20th century is undergoing a vast epistemological shift, moving from…

The author has been tutoring and teaching writing for fifteen years, but has discovered that few people outside of academia know what it is that she does. Despite the rise in composition graduate programs and the improving market for composition specialists, even within the university, faculty from other disciplines frequently have vague notions…

Argues that the perennial problem of boring student writing is solved when assignments provide writers with target readers, enabling students to find their appropriate voice. Discusses a sample assignment in which students explain how to do something they do well to readers who don't know how to do it. (JG)

Explores the quality of "voice" in writing, and how an individual's early experiences and heritage influence voice. Advocates using exploration of voice with students in freshman composition. Uses "In Praise of What Persists," a collection of essays, as models for the students and a source of writing assignments. (PA)

Argues that exploratory discourse, an old but little appreciated genre, may be particularly suited for revealing and enabling the kind of thinking in matters that do not lend themselves to absolute proof. Discusses exploratory writing assignments suitable for freshman composition courses. (RS)

Explores the use of the term "voice" in written discourse as a metaphor for "authority," a quality that distinguishes an effective writer. Proposes a "scale of negotiation" and a sequence of assignments for a 15-week term in which students gradually establish a position of authority over their texts. (RS)

Presents an exercise in descriptive writing that shows how to take a subjective statement and support or deny it using a common body of factual observations. (PA)

Students enrolled in composition classes may provide the answer to the dilemma of coming up with a writing topic: work--the "four letter word." Most, if not all, students have already become part of the labor force. The theme of "work" is naturally successful because it centers around a topic students know well, something that…

Describes an assignment that bridges the gap between research on disciplinary discourse and the curricular goals of a first-year composition course, which, in this case, was linked with a section of first-year history. (TB)